Thursday, November 17, 2011

Barney's Great Adventure - Twinken The Dream Maker in Magical Egg (1997)

House of Flying Daggers [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
THE ILL-FATED ROMANCE BETWEEN AN IMPERIAL BODYGUARD & A PRINCETAKES THE LOVERS ON A DANGEROUS JOURNEY WHERE ROYAL FAMILYSECRETS ARE REVEALED.Curse of the Golden Flower, a fictionalized historical glimpse into the brutally complicated politics of Emperor Ping's (Chow Yun Fat) reign during the Tang Dynasty, shows the viewer just how far a megalomaniac must go to gain and retain power in medieval China. Lavish sets, massive ceremonial displays, and perversely fascinating battle scenes impress similarly to the special effects Americans have come to love and expect from Chinese action films like Zhang Yimou's previous House of Flying Daggers and Crouching Tiger, Hidden Dragon. An intricate plot involving the Emperor's wife, Empress Phoenix (Gong Li) and their three sons, Crown Prin! ce Xiang, Prince Jie, and Prince Cheng, most closely follows the Empress's secret plan to force abdication upon her corrupt husband as revenge for his slowly poisoning her with Black Fungus tea. Opening on the eve of the Chysanthemum Festival, 928 A.D., the Empress obsessively embroiders gold chysanthemums to adorn her army's uniforms while hatching plans with Jai to overthrow the Crown Prince for control of the throne. Meanwhile, a side plot develops as the Emperor's ex-wife and mother to Crown Prince Yu reemerges as Yu's lover. By the time the Festival occurs, family members are pitted against each other in a King Lear-ian web of lies that can only result in demise. The most sophisticated narrative aspect of Curse of the Golden Flower is that as the royal family crumbles, the Emperor's death grip on China remains unwavering. Gorgeous scenes set in the palace and costume design displaying China's upper class decadence cannot fail to entertain. The paradox bet! ween good and evil, here, is highlighted by how the Emperor su! ccessful ly rules despite, and because of, his utter cruelty. --Trinie DaltonFrom the director of Hero and House of Flying Daggers comes the martial arts epic masterpiece whose savage beauty and exquisite elegance has mesmerized and captivated audiences around the world. Set in the lavish and breathtakingly colorful world hidden from the eyes of mere mortals behind the walls of the Forbidden City, a tale of a royal family divided against itself builds to a mythic climax as lines are crossed, trust is betrayed, and family blood is spilled in the quest for redemption and revenge. Starring Chow Yun Fat of Crouching Tiger, Hidden Dragon as the embattled Emperor and Gong Li of Memoirs of a Geisha as his poisoned Empress, Curse of the Golden Flower grants you entry into a dazzling and spectacular world of betrayal, vengeance and passion that will change the way you think of martial arts forever.Curse of the Golden Flower, a fictionalized his! torical glimpse into the brutally complicated politics of Emperor Ping's (Chow Yun Fat) reign during the Tang Dynasty, shows the viewer just how far a megalomaniac must go to gain and retain power in medieval China. Lavish sets, massive ceremonial displays, and perversely fascinating battle scenes impress similarly to the special effects Americans have come to love and expect from Chinese action films like Zhang Yimou's previous House of Flying Daggers and Crouching Tiger, Hidden Dragon. An intricate plot involving the Emperor's wife, Empress Phoenix (Gong Li) and their three sons, Crown Prince Xiang, Prince Jie, and Prince Cheng, most closely follows the Empress's secret plan to force abdication upon her corrupt husband as revenge for his slowly poisoning her with Black Fungus tea. Opening on the eve of the Chysanthemum Festival, 928 A.D., the Empress obsessively embroiders gold chysanthemums to adorn her army's uniforms while hatching plans with Jai to overthrow th! e Crown Prince for control of the throne. Meanwhile, a side pl! ot devel ops as the Emperor's ex-wife and mother to Crown Prince Yu reemerges as Yu's lover. By the time the Festival occurs, family members are pitted against each other in a King Lear-ian web of lies that can only result in demise. The most sophisticated narrative aspect of Curse of the Golden Flower is that as the royal family crumbles, the Emperor's death grip on China remains unwavering. Gorgeous scenes set in the palace and costume design displaying China's upper class decadence cannot fail to entertain. The paradox between good and evil, here, is highlighted by how the Emperor successfully rules despite, and because of, his utter cruelty. --Trinie Daltongreat film .Crouching Tiger, Hidden Dragon
Named "Best Picture of the Year" by over 100 critics nationwide! Two master warriors (Chow Yun Fat and Michelle Yeoh) are faced with their greatest challenge when the treasured Green Destiny sword is stolen. A young aristocrat (Zhang Ziyi) prepare! s for an arranged marriage, but soon reveals her superior fighting talents and her deeply romantic past. As each warrior battles for justice, they come face to face with their worst enemy - and the inescapable, enduring power of love. Set against 19th-century China's breathtaking landscape, Crouching Tiger, Hidden Dragon is the action-packed, box office smash from acclaimed director Ang Lee (Sense and Sensibility, The Ice Storm) featuring stunning martial arts choreography by Yuen Wo Ping (The Matrix).

Curse of the Golden Flower
From the director of Hero and House of Flying Daggers comes the martial arts epic masterpiece whose savage beauty and exquisite elegance has mesmerized and captivated audiences around the world. Set in the lavish and breathtakingly colorful world hidden from the eyes of mere mortals behind the walls of the Forbidden City, a tale of a royal family divided against itself builds to a ! mythic climax as lines are crossed, trust is betrayed, and fam! ily bloo d is spilled in the quest for redemption and revenge. Starring Chow Yun Fat of Crouching Tiger, Hidden Dragon as the embattled Emperor and Gong Li of Memoirs of a Geisha as his poisoned Empress, Curse of the Golden Flower grants you entry into a dazzling and spectacular world of betrayal, vengeance and passion that will change the way you think of martial arts forever.

House of Flying Daggers
"Prepare your eyes for popping," in this "martial-arts fireball that throws in a lyrical love story, head spinning fights and dazzling surprises" (Rolling Stone). "A gorgeous entertainment" (A.O. Scott, New York Times). Mei is an exotic, beautiful blind dancer, associated with a dangerous revolutionary gang, known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty, Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here, her heart and loyalties battle each other, amid warri! ors in the treetops and dazzling combat - the likes of which have never before been seen!A pair of police deputies at the end of China's Tang Dynasty attempt to save a beautiful dancer, with revolutionary ties, from capture.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 1-JAN-2007
Media Type: DVDNo one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapo! n of choice, a curved blade that swoops through the air like a! boomera ng). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer"Prepare your eyes for popping," in this "martial-arts fireball that throws in a lyrical love story, head spinning fights and dazzling surprises" (Rolling Stone). "A gorgeous entertainment" (A.O. Scott, New York Times). Mei is an exotic, beautiful blind dancer, associated with a dangerous re! volutionary gang, known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty, Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here, her heart and loyalties battle each other, amid warriors in the treetops and dazzling combat - the likes of which have never before been seen!No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, ! a curved blade that swoops through the air like a boomerang). ! Their on ly chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer

God's Army (Two-Disc Deluxe Edition)

Gone, Baby, Gone: A Novel

  • ISBN13: 9780061336218
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting! .) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, an! d he soon finds there's more to the story than anyone could po! ssibly i magine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. Its territory is defined by hard heads and even harder luck; its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound ye! llow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready! . Without sentimentalizing the grotesque figure of Cheese, Le! hane tel ls us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the! War, Sacred. --Dick Adler

(ACZ170) Silver Wedding Ring Set / Everlasting Classic Two-Piece Engagement Set with Cubic Zirconia, 1.75 Total Carat Weight, Made with Authentic .925 Sterling Silver and Top Quality CZ, Ring Size - (6)

  • top quality cubic zirconia
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  • has that undeniable expensive diamond look
Studio: Paramount Home Video Release Date: 01/06/2004 Run time: 103 minutes Rating: RIt's hard to believe that a movie about two hairpiece salesmen in war-torn Northern Ireland--a comedy, no less--could work at all, but An Everlasting Piece does work, though perhaps not in the way one would expect. Colm (Barry McEvoy, who also wrote the screenplay) is a new barber at a mental institution and bonds with his fellow barber George (Brian F. O'Byrne) even though Colm is Catholic and George is Protestant. A new patient arrives, who turns out to have been the owner of the only wig company in all of Northern Ireland. Figuring that having a monopoly means easy money, Colm and Georg! e convince the new patient to give them his client list, and they're off on a series of rambling comic adventures, aided by Colm's girlfriend Bronagh (Anna Friel, A Midsummer Night's Dream). But when a wig is found at the site of an act of IRA sabotage, the salesmen's lives get suddenly complicated. What makes An Everlasting Piece work is not that it ignores the Irish conflict, but that it pays close attention to it; in fact, the tension of civil strife is a crucial element of the movie's humor, allowing it to dip into a more serious mood without becoming preachy or pretentious. The actors are uniformly excellent; Friel is particularly charming. A comedy about wigs sounds like goofy slapstick; An Everlasting Piece is actually thoughtful and richly human. Directed by Barry Levinson (Diner, Rain Man, Wag the Dog). --Bret Fetzer It's hard to believe that a movie about two hairpiece salesmen in war-torn Northern Ireland--a comedy! , no less--could work at all, but An Everlasting Piece ! does wor k, though perhaps not in the way one would expect. Colm (Barry McEvoy, who also wrote the screenplay) is a new barber at a mental institution and bonds with his fellow barber George (Brian F. O'Byrne) even though Colm is Catholic and George is Protestant. A new patient arrives, who turns out to have been the owner of the only wig company in all of Northern Ireland. Figuring that having a monopoly means easy money, Colm and George convince the new patient to give them his client list, and they're off on a series of rambling comic adventures, aided by Colm's girlfriend Bronagh (Anna Friel, A Midsummer Night's Dream). But when a wig is found at the site of an act of IRA sabotage, the salesmen's lives get suddenly complicated. What makes An Everlasting Piece work is not that it ignores the Irish conflict, but that it pays close attention to it; in fact, the tension of civil strife is a crucial element of the movie's humor, allowing it to dip into a more serious moo! d without becoming preachy or pretentious. The actors are uniformly excellent; Friel is particularly charming. A comedy about wigs sounds like goofy slapstick; An Everlasting Piece is actually thoughtful and richly human. Directed by Barry Levinson (Diner, Rain Man, Wag the Dog). --Bret Fetzer

Crush

  • Unique "Crush" mechanic allows players to change between 2D and 3D environments.
  • Story driven puzzler featuring a unique main character with a lifetime of unresolved issues for you to unravel.
  • Mind bending puzzles will provide hours of entertainment for gamers of all levels.
  • Surreal environments and engaging storyline provide a unique gaming experience that blurs the line between puzzle and platform play.
  • 1 player.
Fresh off the most challenging case of her career, The 7th Victim heroine and renowned FBI profiler Karen Vail returns in an explosive thriller set against the backdrop of California’s wine country.

Hoping to find solace from the demons that haunt her, Vail makes her first trip to the Napa Valley. But shortly after arriving, a victim is found in the deepest reaches of an exclusive wine cave, the work of an extraordinarily unpredi! ctable serial killer. From the outset, Vail is frustrated by her inability to profile the offenderâ€"until she realizes why: the Behavioral Analysis Unit has not previously encountered a killer like him.

As Vail and the task force work around the clock to identify and locate him, they’re caught in a web knotted with secretive organizations, a decades-long feud between prominent wine families, and widespread corruption that leads Vail to wonder whom, if anyone, she can trust. Meanwhile, as the victim count rises, Vail can't shake the gnawing sense that something isn't right.

With the killer’s actions threatening the Napa Valley’s multi-billion dollar industry, the stakes have never been greater, and the race to find the killer never more urgent.

And through it all, a surprise lurks…one that Karen Vail never sees coming.

Meticulously researched during years of work with the FBI profiling unit and extensive interviews with wine industry professionals, bestselli! ng author Alan Jacobson delivers a high-velocity thriller feat! uring th e kind of edge-of-your-seat ending that inspired Nelson DeMille to call him "a hell of a writer."

This funny and touching story centers on Kate a forty-year-old respectable and successful headmistress in a small English village who gets together with her single friends Molly a doctor and Janie a local police detective every Monday to drink eat chocolate and decide who is the Saddest of the Week. Things start to turn displeasing between the three friends when Kate begins an affair with Jed a sexy 25-year old ex-pupil and is no longer the Saddest of the Week!System Requirements: Running Time 122 MinFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 043396079021 Manufacturer No: 07902At first Crush seems to be merely the latest film to portray a clique of boozy, trash-talking women as part of a larger, liberated sisterhood worthy of celebration if not admiration. The lighthearted comedy abruptly detours, however, to expose vicious jealousies with bruta! l, unexpected consequences. A trio of single women in their 40s, Kate, Janine, and Molly (Andie MacDowell, Imelda Stanton, and Anna Chancellor) engage in a weekly ritual of gin, cigarettes, and joyous male sniping that despite its occasional glimpses of bare insecurity is all good "girl" fun. But when Kate, headmistress at the local school, takes up with a former student (Kenny Doughty) nearly 20 years younger and falls wildly in love, her closest friends, rather than embrace a true departure from social mores, plan instead to sabotage Kate's happiness and bring her to her senses. In one of the most inexplicable twists you're likely to see in a comedy, Janine and Molly's ploy takes an unexpectedly lethal turn, and Crush goes from amusing, if predictable, to downright nasty, and then back to end on a happy note. The effect is provocative, though perhaps unintended. --Fionn Meade
Richard Siken’s Crush, selected as the 2004 winner of the Yale Y! ounger Poets prize, is a powerful collection of poems driven b! y obsess ion. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism.

In her introduction to the book, competition judge Louise Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”
Julian, an exchange student and disgraced martial arts champion, is seduced by a mysterious and beautiful woman, Anna, while house-sitting a lavish mansion. Anna's infatuation and obsessive behavior soon turns Julian's life into a living hell where not even his martial arts skills can save him.Readers will fall head over heels for this nostalgic and irreverent collection.

Twenty-six bestselling authors return to the teenage bedrooms, school hallways and col! lege dorms of their youth to share passionate essays of love lost and found and lessons learned along the way. Whether heartbreaking or hilarious, their soul-baring honesty reminds us to keep reaching for true love wherever we can find it and for as long as it takes. Their intimate reflections will fascinate and move any reader who remembers her first love.A precocious and obsessive teenager develops a crush on a naive writer with harrowing consequences. Alicia Silverstone and Cary Elwes star in "a top-notch thriller.

Fresh off the most challenging case of her career, The 7th Victim heroine and renowned FBI profiler Karen Vail returns in an explosive thriller set against the backdrop of California’s wine country.
 
Hoping to find solace from the demons that haunt her, Vail makes her first trip to the Napa Valley. But shortly after arriving, a victim is found in the deepest reaches of the exclusive wine cave, the work of an extrao! rdinary unpredictable serial killer. From the outset, Vail is! frustra ted by her inability to profile the offender-until she realizes why: the Behavioral Analysis Unit has not previously encounter a killer like him.
 
As Vail and the task force work around the clock to identify and locate him, they’re caught in a web of knotted with secretive organizations, a decades-long feud between prominent wine families, and widespread corruption that leads Vail to wonder whom, if anyone, she can trust. Meanwhile, as the victim count rises, Vail can’t shake the gnawing sense that something isn’t right.
 
With the killer’s actions threatening the Napa Valley’s multi-billion dollar industry, the stakes have never been greater, and the race to find the killer never more urgent. And through it all, a surprise lurks… one that Karen Vail never sees coming.

Meticulously researched during years of work wit the FBI profiling unit and extensive interviews with wine industry professionals, bestselling! author Alan Jacobson delivers a high velocity thriller featuring the kind of edge-of-your-seat ending that inspired Nelson DeMille to call him “a hell of a writer.”

Fresh off the most challenging case of her career, The 7th Victim heroine and renowned FBI profiler Karen Vail returns in an explosive thriller set against the backdrop of California’s wine country.
 
Hoping to find solace from the demons that haunt her, Vail makes her first trip to the Napa Valley. But shortly after arriving, a victim is found in the deepest reaches of the exclusive wine cave, the work of an extraordinary unpredictable serial killer. From the outset, Vail is frustrated by her inability to profile the offender-until she realizes why: the Behavioral Analysis Unit has not previously encounter a killer like him.
 
As Vail and the task force work around the clock to identify and locate him, they’re caught in a! web of knotted with secretive organizations, a decades-long ! feud bet ween prominent wine families, and widespread corruption that leads Vail to wonder whom, if anyone, she can trust. Meanwhile, as the victim count rises, Vail can’t shake the gnawing sense that something isn’t right.
 
With the killer’s actions threatening the Napa Valley’s multi-billion dollar industry, the stakes have never been greater, and the race to find the killer never more urgent. And through it all, a surprise lurks… one that Karen Vail never sees coming.

Meticulously researched during years of work wit the FBI profiling unit and extensive interviews with wine industry professionals, bestselling author Alan Jacobson delivers a high velocity thriller featuring the kind of edge-of-your-seat ending that inspired Nelson DeMille to call him “a hell of a writer.”

Some people flirt, others admire from afar, but one thing's for sure--there's nothing hotter than a crush that tempts you to take a chance. . . .

Wh! ite Mocha Michele Grant

Jayla has always played it safe, personally and professionally. Finding the perfect cup of coffee is about the most exciting thing in her life. But one look at free-spirited café owner Jason, and she's suddenly inspired to venture out of her comfort zone. . .

Wanted: You Lutishia Lovely

Chaz Covington is the guy every man wants to be and every woman wants to have. So when a series of anonymous erotic letters begin arriving at his office, he is only mildly surprised. His prudish assistant, Lois, is shocked. But before it's all over, she won't be the only one. . .

From One Lover to Another Cydney Rax

Lorraine Eafford is done with bad boys. She's ready for someone nice and reliable--someone just like her new co-worker, Wendell. But her ex won't take no for an answer, and Lorraine is about to show him just how bad this good girl can be. . .

"Vibrant characters, artful storytelling, and an original voice make Luti! shia Lovely worth every moment."--Donna Hill

"Talented Grant! entices , captivates and mesmerizes her readers." --Romantic Times on Heard It All Before

". . .you'll find yourself drawn to Rax's juicy tale of out-of-order Buppies in love and lust." --Essence® on My Husband's GirlfriendComing exclusively to the PSP system, Crush features an all new concept in multi-dimensional puzzle gameplay. A uniquely styled puzzle game that blends 2D and 3D graphics in an enticingly surreal environment, Crush is sure to present an addicting challenge! Puzzle your way across 40 brain-twisting levels switching perspectives from 3D to 2D to conquer your challenges. Changing your perspective on things will do more than alter your view; shift platforms and objects, activate machinery, cause immense chain reactions in the environment and overcome your enemies it's all in the power of perspective.

Deception: An Alex Delaware Novel (Alex Delaware Novels)

The Great Debaters

  • Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr
An inspirational drama, Akeelah and the Bee is the story of Akeelah Anderson (Keke Palmer), a precocious eleven-year-old girl from south Los Angeles with a gift for words. Despite the objections of her mother Tanya (Angela Bassett), Akeelah enters various spelling contests, for which she is tutored by the forthright Dr. Larabee (Laurence Fishburne); her principal Mr. Welch (Curtis Armstrong) and the proud residents of her neighborhood. Akeelah’s aptitude earns her an opportunity to compete for a spot in th! e Scripps National Spelling Bee and in turn unites her neighborhood who witness the courage and inspiration of one amazing little girl.There aren't enough superlatives in the dictionary to describe the excellence of Akeelah and the Bee. Superbly written and directed by Doug Atchison, this PG-rated family drama covers the same dramatic territory as the acclaimed 2002 documentary Spellbound and the 2005 drama Bee Season, but the fictional story of 11-year-old Akeelah Anderson (Keke Palmer) is, if anything, even more entertaining, inspiring, and full of hope for the potential of children everywhere. Although reluctant at first (and fearful of being labeled a "brainiac" by classmates at her under-funded middle school in South Central Los Angeles), Akeelah grows determined to win the district, regional, and ultimately the Scripps National Spelling Bee, aided by the able coaching of an English professor (Laurence Fishburne) who, like Akeelah's overworked sing! le mother (Angela Bassett) is slowly recovering from a devasta! ting per sonal loss. Structured like a conventional sports drama, Akeelah and the Bee rises above its generic trappings to become an uplifting and deeply moving study of friendship, pride, fair play, and above all, the value of self-confidence and realization that there's more to life than winning. As played by the young Palmer in an award-worthy performance, Akeelah is a winner in the best sense of the word, and so is this wonderfully positive movie. --Jeff ShannonAn inspirational drama, Akeelah and the Bee is the story of Akeelah Anderson (Keke Palmer), a precocious eleven-year-old girl from south Los Angeles with a gift for words. Despite the objections of her mother Tanya (Angela Bassett), Akeelah enters various spelling contests, for which she is tutored by the forthright Dr. Larabee (Laurence Fishburne); her principal Mr. Welch (Curtis Armstrong) and the proud residents of her neighborhood. Akeelah’s aptitude earns her an opportunity to compete for a spot in th! e Scripps National Spelling Bee and in turn unites her neighborhood who witness the courage and inspiration of one amazing little girl.There aren't enough superlatives in the dictionary to describe the excellence of Akeelah and the Bee. Superbly written and directed by Doug Atchison, this PG-rated family drama covers the same dramatic territory as the acclaimed 2002 documentary Spellbound and the 2005 drama Bee Season, but the fictional story of 11-year-old Akeelah Anderson (Keke Palmer) is, if anything, even more entertaining, inspiring, and full of hope for the potential of children everywhere. Although reluctant at first (and fearful of being labeled a "brainiac" by classmates at her under-funded middle school in South Central Los Angeles), Akeelah grows determined to win the district, regional, and ultimately the Scripps National Spelling Bee, aided by the able coaching of an English professor (Laurence Fishburne) who, like Akeelah's overworked sing! le mother (Angela Bassett) is slowly recovering from a devasta! ting per sonal loss. Structured like a conventional sports drama, Akeelah and the Bee rises above its generic trappings to become an uplifting and deeply moving study of friendship, pride, fair play, and above all, the value of self-confidence and realization that there's more to life than winning. As played by the young Palmer in an award-worthy performance, Akeelah is a winner in the best sense of the word, and so is this wonderfully positive movie. --Jeff ShannonDVDSpellbound is the extraordinary documentary that follows eight teenagers on their quest to win the National Spelling Bee competition.Who would have thought that a documentary about spelling-bee contestants could be as suspenseful as a Hitchcock thriller? Spellbound, which follows eight kids from their early victories in regional spelling bees to the national competition in Washington, D.C., is an out-and-out nail-biter. Each of the kids--who range from a quietly driven African American girl from a r! un-down D.C. neighborhood, to a genial Connecticut girl who talks about bringing her au pair to a previous competition, to an almost zombie-like boy whose immigrant father has paid 1,000 people back in India to pray for the boy's success--gets captured so vividly that you can't help but get emotionally immersed in their brave, nerve-wracking struggle to spell slippery, treacherous words. Along the way, Spellbound contrasts the crazily different populations that make up the U.S. and shows how this facet of intelligence truly makes everyone equal on the podium. A riveting, wrenching, must-see movie. --Bret FetzerTwo-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but po! litically radical debate team coach who uses the power of word! s to tra nsform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting PartyInspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker). Washington, who directed Th! e Great Debaters from a script by Robert Eisele (The Dale Earnhardt Story), anchors the story with the team’s measurable progress, but the film is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about union! izing together. Forest Whitaker is outstanding as Farmer’s e! motional ly-reserved father, also a Wiley professor. This is the kind of film where one hopes two great actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

Hannibal Rising (Unrated Widescreen Edition)

  • In Red Dragon we learned who he was. In Silence of the Lambs, we learned how he did it. Now comes the most chilling chapter in the saga of Hannibal Lecter the one that answers the most elusive question of all why? Written by Thomas Harris, the best-selling author of the Hannibal book series, this fascinating and terrifying journey into the making of a monster (Pete Hammond, Maxim), reveals for the
(Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy lovers of Thomas Harris's epic tale. After young Hannibal (Aaron Thomas) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by s! tarving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingâ€"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsâ€"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation for why he slices off and eats his victims' cheeks. The story only complicates when H! annibal interacts with his sexy Aunt, Lady Murasaki (Gong Li).! When Mu rasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton

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This book is now a major motion picture released with the same title in August 2011. In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake ! a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion.Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Coope! r), a reckless, sadistic party-boy with a rabid hunger for sex! and bru tality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he need! s a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Though dazzled by the Black Prince's wealth, he finds his behavior horrifying, and discovers he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems e! qually bedazzled by this real-life Devil. Fortunately, Cooper ! rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyBased on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic! , drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he needs a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Th! ough dazzled by the Black Prince's wealth, he finds his behavi! or horri fying, and discovers he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems equally bedazzled by this real-life Devil. Fortunately, Cooper rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyRed Devil 3167 Scraper Blades, Double EdgeReplacement blades for double ed! ge wood scrapers.Red Devil 3167 Scraper Blades, Double Edge Features:; 1 1/2" (7.6 cm) Blade (2); Carded; Blades made from high-carbon steel for maximum; sharpness and durability; Resharpen with file; Two scraping edges; Fits scraper 3140 (3673-5124); 1-1/2" wide; 2 per card