Wednesday, November 23, 2011

Any Given Sunday (Director's Cut) [Blu-ray]

  • Life is a contact sport and football is life when three-time academy award-winning filmmaker Oliver Stone and a dynamic acting ensemble explore the fortunes of the Miami Sharks in Any Given Sunday.At the 50-year line of this gridiron cosmos is Al Pacino as Tony D'Amato, the embattled Sharks coach facing a full-on blitz of team strife plus a new, marketing-savvy sharks owner (Cameron Diaz) who's su
When a devastating hit knocks a professional football legend and quarterback Cap Rooney (Denis Quaid) out of the game, a young, unknown third-stringer is called in to replace him. Having ridden the bench for years because of a string of bad luck stories and perhaps insufficient character, Willie Beaman (Jamie Foxx) seizes what may be his last chance, and lights up the field with a raw display of athletic prowess. His stunning performance over several games is so outstanding and fresh it seems to aug! ur a new era in the history of this Miami franchise, and forces aging coach Tony D'Amato (Al Pacino) to reevaluate his time-tested values and strategies and begin to confront the fact that the game, as well as post-modern life may be passing him by. Adding to the pressure on D'Amato to win at any cost is the aggressive young President/Co-owner of the team, Christina Pagniacci (Cameron Diaz), now coming into her own after her father's death. Christina's driving desire to prove herself in a male dominated world is intensified by her focus on the marketing and business of football, in which all coaches and players are merely properties.Any Given Sunday, Oliver Stone's salute-cum-exposé of pro football, belabors some pretty obvious points for nigh onto three hours; but between the frenetic editing, the pounding rap-music beats, and several flashy performances, it's certainly never dull. Al Pacino, coach of the fictional Miami Sharks (the NFL declined involvement in this! production), struggles with the most time-honored of sports m! ovie dil emmas: what to do with the old friend who's past his prime and the young hotshot who could save the franchise but first has to learn what being a team player is all about. Comedian Jamie Foxx does a marvelous dramatic turn as the rookie quarterback whose ego and talent are equally impressive, while Pacino seems more at ease in Oliver Stone Land than any actor since regular James Woods (on hand as well as a sleazy team doctor). Prowling the sidelines, shouting spittle-flecked orders, seizing up in almost physical pain when a play goes the wrong way, Pacino is as unashamedly--and entertainingly--hyperbolic as Stone's whirling montages of boiling storm clouds, bloodthirsty fans, and players smashed into the mud. (Once again football, perhaps the most sophisticated of team sports, is viewed cinematically as a bunch of guys hitting each other in slow motion.) Unfortunately, all the self-conscious mythologizing and pumped-up macho posturing that Stone can muster doesn't conceal a ! clichéd, slapped-together script, whose few good ideas (mostly about race in America) jostle about with several hoary, terrible ones--including a too-literal analogy of football players as modern gladiators. (To drive the point home, Stone includes Charlton Heston--the aging Ben-Hur--in one of many star-powered cameos.) All in all, Any Given Sunday is never dull, but never very enjoyable, either. --Bruce ReidLife is a contact sport and football is life when three-time academy award-winning filmmaker Oliver Stone and a dynamic acting ensemble explore the fortunes of the Miami Sharks in Any Given Sunday. At the 50-year line of this gridiron cosmos is Al Pacino as Tony D'Amato, the embattled Sharks coach facing a full-on blitz of team strife plus a new, marketing-savvy sharks owner (Cameron Diaz) who's sure Tony is way too old school. An injured quarterback (Dennis Quaid), a flashy, bull-headed backup QB (Jamie Foxx), a slithery team doctor (James Woods) ! and a running back with an incentive-laden contract (LL Cool J! ) also p rovide some of the stories that zigzag like diagrams in a playbook. and throughout, there's the awesome spectacle of motion, sound and action orchestrated by Stone.Any Given Sunday, Oliver Stone's salute-cum-exposé of pro football, belabors some pretty obvious points for nigh onto three hours; but between the frenetic editing, the pounding rap-music beats, and several flashy performances, it's certainly never dull. Al Pacino, coach of the fictional Miami Sharks (the NFL declined involvement in this production), struggles with the most time-honored of sports movie dilemmas: what to do with the old friend who's past his prime and the young hotshot who could save the franchise but first has to learn what being a team player is all about. Comedian Jamie Foxx does a marvelous dramatic turn as the rookie quarterback whose ego and talent are equally impressive, while Pacino seems more at ease in Oliver Stone Land than any actor since regular James Woods (on hand as well as ! a sleazy team doctor). Prowling the sidelines, shouting spittle-flecked orders, seizing up in almost physical pain when a play goes the wrong way, Pacino is as unashamedly--and entertainingly--hyperbolic as Stone's whirling montages of boiling storm clouds, bloodthirsty fans, and players smashed into the mud. (Once again football, perhaps the most sophisticated of team sports, is viewed cinematically as a bunch of guys hitting each other in slow motion.) Unfortunately, all the self-conscious mythologizing and pumped-up macho posturing that Stone can muster doesn't conceal a clichéd, slapped-together script, whose few good ideas (mostly about race in America) jostle about with several hoary, terrible ones--including a too-literal analogy of football players as modern gladiators. (To drive the point home, Stone includes Charlton Heston--the aging Ben-Hur--in one of many star-powered cameos.) All in all, Any Given Sunday is never dull, but never very enjoyable, ! either. --Bruce Reid

Oral Sex She'll Never Forget: 50 Positions and Techniques That Will Make Her Orgasm Like She Never Has Before

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How She Move is an energetic, gritty and ultimately inspiring coming of age tale about a gifted young woman who defies all the rules as she step dances her heart out to achieve her dreams. Featuring a fresh cast of new discoveries, this Sundance Film Festival hit marks the feature film debut of the electric RUTINA WESLEY, with street-style step sequences by top choreographer Hi Hat and special appearances by R&B singer-songwriter Keyshia Cole and comedian DeRay Davis. Bursting with raw talent and intelligence, Raya Green (WESLEY), the daughter of Jamaican immigrants, has always been the family’s one great hope. She won the rare chance to break out of their drug and crime-infested neighborhood when sh! e was accepted into the exclusive Seaton Academy. But when her sister dies of an overdose, the family is shattered and Raya is forced to return to the place she tried so hard to escape.Dare you to keep your feet still while watching How She Move, a rip-roaring salute to Jamaican-influenced step-dancing with an infectious backbeat. The film will appeal to fans of other dance tributes like Stomp the Yard but also to fans of High School Musical, Bring It On and other teen let's-put-on-a-show empowerment films. The story is set in Toronto's thriving Caribbean-immigrant community, though there are nods to American 'hoods as well. While the drama is a bit short on plot, there's no shortage of action or star power. The film's lead, the dynamic Rutina Wesley, plays Raya Green, an honors student whose life is shattered by the death of her sister, and by her unwilling return from her private school to her urban neighborhood. But young Raya's spirit is indo! mitable, as shows the tough neighborhood boys she's every bit ! a dance force to be reckoned with as they are. Her dancing gives this film its sweet patina of grrl power on top of its fabulous choreographed moves. Also don't miss the great soundtrack, featuring Missy Elliott and Busta Rhymes. How she move? Pretty darn great. --A.T. HurleyFrom producer Jennifer Lopez comes a danceable, dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry, You Got Served), he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton, the two find that their music, and cultures, have more in common than they ever imagined. But to bring their musical hybrid to the world, can they survive the grudges and gunplay that await them back in New York City? To find out, grab the disc, watch the film and Feel the Noise.Feel the Noise fits in with other dance-heavy films such as Stomp the ! Yard, Step Up, and You Got Served. The young hero in this film (which comes courtesy of Jennifer Lopez's Nuyorican Productions) serves up former B2K heartthrob Omarion Grandberry as Rob, a fledgling rapper who gets into trouble in New York. Fearing for her son's life, his mother ships him off to Puerto Rico to live with his father Roberto(Giancarlo Esposito) and half brother Javi (Victor Rasuk). Rob and Roberto have a strained relationship, but the two half-brothers quickly bond over their love of music. With the help of a girl Rob is sweet on, the two find themselves on the brink of a bonafide music career--that may bring Rob back to Harlem. Set against a backbeat of reggaeton music (which combines elements of reggae, hip-hop, and salsa), the film has its work cut out. The genre is little known to much of the film's demographics (teenagers), and Grandberry is likeable, but he's not a convincing leading man. His role requires simmering sexuality; he provid! es adorableness, but the moviegoer is never convinced that he ! is anyth ing but a nice boy. Zulay Henao is lovely as Rob's sexy and sweet girlfriend, but the two actors don't share much chemistry. Lopez makes a blink-and-you-miss-it cameo near the end of the movie, which has one misstep too many to be anything more than a guilty pleasure. --Jae-Ha Kim

Techniques That Will Drive Her Wild!

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Oral Sex She’ll Never Forget gives 50 unique cunnilingus experiences from start to finish. You’ll learn how to combine positions, mouth moves, hand strokes, sex toys, seduction and setting to create the most exciting oral sex experience for her. Surprise your lover with something new and exciting.

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Chandni Chowk to China

  • Have you ever dreamed of being more than your circumstances? Sidhu (Askay Kumar) longs to escape his dreary existence cutting vegetables at a road-side food stand in Chandni Chowk, one of the oldest and busiest markets in Delhi, India. When two strangers from China proclaim he is the reincarnation of a Chinese war hero, Sidhu envisions fame, fortune and adventure. Journeying with them back to Chin
Have you ever dreamed of being more than your circumstances? Sidhu (Askay Kumar) longs to escape his dreary existence cutting vegetables at a road-side food stand in Chandni Chowk, one of the oldest and busiest markets in Delhi, India. When two strangers from China proclaim he is the reincarnation of a Chinese war hero, Sidhu envisions fame, fortune and adventure. Journeying with them back to China, Sidhu meets the alluring Sakhi (Deepika Padukone) and love blossoms. But can it survive the vicious s! muggler, Hojo (Gordon Liu) and his cadre of kung-fu assassins? Megalomaniacal villains, crazy inventors, Chinese mystics and outlandish kung-fu assassins all get thrown together in this joyful, uplifting adventure full of beautiful landscapes, attention-grabbing songs, and high energy dancing. Featuring top Bollywood actors Akshay Kumar and Deepika Padukone and produced by acclaimed father and son duo, Ramesh and Rohan Sippy, Chandni Chowk to China promises to excite.It's a rare Bollywood show that gets a healthy stateside push, but in 2009 Chandni Chowk to China invaded U.S. theaters with its crackpot blend of music, slapstick, and melodrama. The plot itself couldn't be clearer. (Just kidding.) Akshay Kumar, leading light of Bollywood, plays Sidhu, a Delhi nitwit who slices potatoes at a food store in the chaotic Chandni Chowk neighborhood. After discovering the unmistakable image of the god Ganesh in the skin of a spud, Sidhu is proclaimed the reincarnation of a ! legendary Chinese hero. A trip to the Great Wall and a job def! ending t he much-abused population of a small town can't be far behind. Mix in a pretty TV-commercial spokesmodel (Deepika Padukone) visiting China to bring closure to a childhood tragedy, plus martial-arts goofiness, a villain (legendary Kill Bill star Gordon Liu) with a razor-edge bowler hat--take that, Goldfinger--and the occasional musical number, and you've got yourself a thoroughly entertaining piece of absurdity. Kumar is spirited, Padukone is gorgeous, and Ranvir Shorey and Mithun Chakraborty provide amusing support. Arguments can certainly be made about whether Warner Bros. could have thrown their weight behind some other Bollywood offering for a U.S. push (this film's chopsocky similarities to Kung Fu Hustle, which rang up tidy profits, might explain the choice), but taken on its own zany terms, Chandni Chowk is a good time. --Robert Horton

Femme Fatale

  • Femme Fatale is a contemporary film noir about an alluring seductress (Rebecca Romijn-Stamos) suddenly exposed to the world -- and her enemies -- by a voyeuristic photographer (Antonio Banderas) who becomes ensnared in her surreal quest for revenge.Running Time: 115 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 085392446124 UPC: 085392446124 Manufac
Britney Spears announces her seventh studio album is titled Femme Fatale. The iconic global superstar’s title Femme Fatale is a tribute to bold, empowered, confident, elusive, fun, flirty women and men. It’s not a conceptual album, Spears is letting the music speak for itself. She’s worked hard on it for two years and she considers it to be her “best album to date,” true to where she is now personally and professionally. Femme Fatale (Jive Records) is executive produced by Max Martin and Dr. Luke. Few artists ha! ve earned the distinction of having five No.1 debut albums, and 24 Top 40 hits. She most recently set a new one-day precedent for single sales with her current No. 1 hit song, “Hold It Against Me.”. Jonas Åkerlaund shot the video for the song. Spears is peerless among her contemporaries. Throughout the years, Britney has consistently released hit after hit for over a decade, selling close to 70 million albums cumulatively worldwide. During her 12-year career, Britney has had five albums debut in the No. 1 position on Billboard 's Top 200 Albums chart and she's had 24 Top 40 hits on Billboard’s Mainstream Top 40 chart. Globally, Britney Spears is one of the top-selling artists of the past decade, dominating charts with her albums, selling an astonishing 67 million albums worldwide. Her previous albums include: …Baby One More Time (1999); Oops!... I Did It Again (2000); Britney (2001); In The Zone (2003); Blackout (2007); Circus (2008); and The Singles! Collection (2009). Femme Fatale is a contemporary film no! ir about an alluring seductress (Rebecca Romijn-Stamos) suddenly exposed to the world -- and her enemies -- by a voyeuristic photographer (Antonio Banderas) who becomes ensnared in her surreal quest for revenge. The sheer pleasure of watching movies is celebrated in Brian De Palma's dazzling Femme Fatale. Working from his own intricate screenplay, De Palma indulges all of his trademark obsessions, upping the ante on Hitchcock (again) with a Vertigo-like plot that begins with an audacious heist at the Cannes film festival (another sexy, violent tour de force for De Palma). From there, the stunning thief Laure (Rebecca Romijn-Stamos) assumes a new identity, marries a U.S. senator (Peter Coyote), and returns to Paris where a tenacious paparazzo (Antonio Banderas) becomes a patsy in her multilayered scheme. De Palma's weaving a web of nonsense, but his plotting is so exuberantly absurd--and his frame so full of visual clues and relevant detail--that Femme Fatale bec! omes a joyous thrill ride at first encounter, and a crazily logical (and grandly rewarding) movie on subsequent viewings. In her best role to date, Romijn-Stamos is everything you'd want a femme fatale to be, in a thriller that constantly challenges you to question what you're seeing. --Jeff Shannon

Halloween (Two-Disc Unrated Collector's Edition) [Blu-ray]

  • Rob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasheric, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveal
The original slasher film about Michael Myers, the psychotic killer who dons a mask and terrorizes his hometown, is re-imagined by edgy director Rob Zombie.More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) wh! ose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasance character) does little to impede his development into a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared! to the lean efficiency of the Carpenter original). Zombie's Hallow een isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) adds a touch of late-night monster movie charm. However, the film's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version! . A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from the casting sessions. A blooper reel, which is highlighted by unchecked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul GaitaRob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasher classic, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveals the secrets behind Myers' disturbing childhood, Hallow! een breathes new life into one of film history's most terrifyi! ng tales . "It will leave you speechless" (Spooky Dan, Bloody-Disgusting).More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) whose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasance character) does little to impede his development into a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie ! Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared to the lean efficiency of the Carpenter original). Zombie's Halloween isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) add! s a touch of late-night monster movie charm. However, the film! 's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version. A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from the casting sessions. A blooper reel, which is highlighted by unchecked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul Gaita

Bakugan Battle Brawlers Oversized Card Deka Sub Terra (Brown)

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When the peaceful inhabitants of the beautiful planet Terra come under attack from the last surviving members of humanity adrift in an aging spaceship, the stage is set for an all-out war between the two species for control of the planet. But will an unlikely friendship between a rebellious young Terrian (voiced by Evan Rachel Wood) and an injured human pilot (Luke Wilson) somehow convince their leaders that war is not the answer?Earthlings are the bad guys in this animated saga, which was released to theaters in 3-D. And the good guys? That would be the Terrans, big-eyed little tadpole creatures whose planet is about to be invaded by human beings in search of a permanent living space--and hey, if the atmosphere of this alien planet isn't exactly fit for humans, the visitors can always blast the place with an oxygen-producing terra-formin! g machine that will make it habitable. The only collateral damage is that the natives will be killed off. Huh? As you can see, the allegorical undertones here are, well, overtones, all of which might seem less heavy-handed if the story were absorbing and the characters were compelling, but director Aristomenis Tsirbas concentrates on the environmental message and the non-show-offy 3D design. We mostly follow a Terran (voiced by Evan Rachel Wood) who comes upon a lone astronaut (Luke Wilson), much to the confusion of her Terran quasi-boyfriend (Justin Long). In the absence of a lot of plot excitement, kids might take some enjoyment in the nerdy declarations of a cute robot (David Cross). Can the brutal intentions of the invading general (Brian Cox) be stopped in time to save Terra? Will you still be awake to learn the answer? --Robert Horton


Stills from Battle for Terra (Click for larger image) ! When the peaceful inhabitants of the beautiful planet Terra come under attack from the last surviving members of humanity adrift in an aging spaceship, the stage is set for an all-out war between the two species for control of the planet. But will an unlikely friendship between a rebellious young Terrian (voiced by Evan Rachel Wood) and an injured human pilot (Luke Wilson) somehow convince their leaders that war is not the answer?Earthlings are the bad guys in this animated saga, which was released to theaters in 3-D. And the good guys? That would be the Terrans, big-eyed little tadpole creatures whose planet is about to be invaded by human beings in search of a permanent living space--and hey, if the atmosphere of this alien planet isn't exactly fit for humans, the visitors can always blast the place with an oxygen-producing terra-forming machine that will make it habitable. The only! collateral damage is that the natives will be killed off. Huh! ? As you can see, the allegorical undertones here are, well, overtones, all of which might seem less heavy-handed if the story were absorbing and the characters were compelling, but director Aristomenis Tsirbas concentrates on the environmental message and the non-show-offy 3D design. We mostly follow a Terran (voiced by Evan Rachel Wood) who comes upon a lone astronaut (Luke Wilson), much to the confusion of her Terran quasi-boyfriend (Justin Long). In the absence of a lot of plot excitement, kids might take some enjoyment in the nerdy declarations of a cute robot (David Cross). Can the brutal intentions of the invading general (Brian Cox) be stopped in time to save Terra? Will you still be awake to learn the answer? --Robert Horton


Stills from Battle for Terra(Click for larger image)
Earth basked in the! glow of a new interstellar age, saved from enslavement to the insectoid biofabs by the dramatic arrival of the Kronarin fleet. Laden with honors and riches, John Harrison, hero of the Biofab War, can finally live the good life--or can he?

Unknown to the Alliance, renegade biofabs escaped to an alternate universe where under their brilliant Tactics Master they're breeding back to strength, readying a counter-strike against the people of both universes.

Catapulted into a twisted image of his world, Harrison must find the biofabs' nest and take it out before a new generation hatches. It won't be easy--the biofabs have found deadly allies. And in this version of Earth, Harrison's a rebel on the run from the Fourth Reich. (2010 revision of 1986 Tor Books edition. 56,000 words.)

The Battle for Terra Two is one of four novels that begins with a covert alien attempt to control Earth, ending with the battered forces of Galactic humanity battl! ing impossible odds as an AI armada sweeps into our galaxy for its long-overdue reckoning with humanity. (AIs--Artificial Intelligences--cyborgs evolved over vast time from simpler machines to complex beings driven by the simple need to kill us all.)  

All the books follow the crew of the Kronarin Fleet dreadnought Implacable and their Terran allies from the discovery of biofabs on Earth through ever-growing confrontations and diabolical alien machinations to the final battle. The plot line is akin to a nesting doll, each crisis spawning an even deadlier one. The blaster fire never stops--save for the occasional soothing cup of t'ata from Implacable's dodgy beveragers. (Implacable's a resurrected Imperial warship that sometimes chaffs at having been awakened and pressed into the service of such rude hands. It preferred its Imperial masters.)

To be bested along the way are space pirates, Terra Two's last proconsul, min! dslavers, various machine intelligences, a vile alternate Eart! h, the u ndying hand of the dead Kronarin Empire, a ubiquitous insectoid-blonde and of course, biofabs. All stirred into a rich bouillabaisse of an adventure that takes the reader on a far flung quest into the fantastic, but where in the end the old verities of honesty, valor and fellowship trump all.

From The Battle for Terra Two:

"I have a theory about the Empire," said Bill as the decks flashed by. "More whimsy than theory.  It never died. It's out there somewhere, manipulating us, the Kronarins, the Scotar, those killer machines--God only knows what else. All for some esoteric and rotten end. It's cold, malevolent, immortal and hopelessly mad. Evil."

This was worse, John thought, stumbling over a helmet. Something out of Goya, the young dead tormented faces staring sightlessly, throats ripped out, necks broken, holes you could put your fist through. And everywhere the stench of burnt flesh and clouds of flies come to feast.Earth basked in the gl! ow of a new interstellar age, saved from enslavement to the insectoid biofabs by the dramatic arrival of the Kronarin fleet. Laden with honors and riches, John Harrison, hero of the Biofab War, can finally live the good life--or can he?

Unknown to the Alliance, renegade biofabs escaped to an alternate universe where under their brilliant Tactics Master they're breeding back to strength, readying a counter-strike against the people of both universes.

Catapulted into a twisted image of his world, Harrison must find the biofabs' nest and take it out before a new generation hatches. It won't be easy--the biofabs have found deadly allies. And in this version of Earth, Harrison's a rebel on the run from the Fourth Reich. (2010 revision of 1986 Tor Books edition. 56,000 words.)

The Battle for Terra Two is one of four novels that begins with a covert alien attempt to control Earth, ending with the battered forces of Galactic humanity battling im! possible odds as an AI armada sweeps into our galaxy for its l! ong-over due reckoning with humanity. (AIs--Artificial Intelligences--cyborgs evolved over vast time from simpler machines to complex beings driven by the simple need to kill us all.)  

All the books follow the crew of the Kronarin Fleet dreadnought Implacable and their Terran allies from the discovery of biofabs on Earth through ever-growing confrontations and diabolical alien machinations to the final battle. The plot line is akin to a nesting doll, each crisis spawning an even deadlier one. The blaster fire never stops--save for the occasional soothing cup of t'ata from Implacable's dodgy beveragers. (Implacable's a resurrected Imperial warship that sometimes chaffs at having been awakened and pressed into the service of such rude hands. It preferred its Imperial masters.)

To be bested along the way are space pirates, Terra Two's last proconsul, mindslavers, various machine intelligences, a vile alternate Earth, the undying hand of ! the dead Kronarin Empire, a ubiquitous insectoid-blonde and of course, biofabs. All stirred into a rich bouillabaisse of an adventure that takes the reader on a far flung quest into the fantastic, but where in the end the old verities of honesty, valor and fellowship trump all.

From The Battle for Terra Two:

"I have a theory about the Empire," said Bill as the decks flashed by. "More whimsy than theory.  It never died. It's out there somewhere, manipulating us, the Kronarins, the Scotar, those killer machines--God only knows what else. All for some esoteric and rotten end. It's cold, malevolent, immortal and hopelessly mad. Evil."

This was worse, John thought, stumbling over a helmet. Something out of Goya, the young dead tormented faces staring sightlessly, throats ripped out, necks broken, holes you could put your fist through. And everywhere the stench of burnt flesh and clouds of flies come to feast.KAENA:PROPHECY - DVD MovieOriginally a compute! r-generated, animated feature presented in 3-D, the French-Ame! rican Kaena: The Prophecy still looks eye-poppingly spectacular in a regular, two-dimensional format. The post-apocalyptic tale concerns an adventurous young woman, Kaena (voiced in English by Kirsten Dunst), who is a member of a race--one of many--that inhabit an enormous tree called the Axis, rising 100 miles from Earth's surface. While her people's leader, Opaz (Richard Harris), insists his tribe's sole purpose is collecting sap and honoring the gods who provide sustenance, Kaena is more interested in exploring. Signs that the Axis might be dying sends Kaena on a mission to find out why; along the way she encounters a slavemaster race, the Selenites, and their vicious queen (Anjelica Huston). Fantastic to look at, Kaena: The Prophecy is graphically dense, constantly moving, and truly inventive when it comes to designing creatures that appear equal parts vegetable and animal. --Tom KeoghOversized Card Deka

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BRONZE FAMILY TREE PICTURE FRAME - BRONZE FAMILY TREE WITH 6 HANGING PICTURE ...