Friday, November 18, 2011

Dawn of the Dead (Widescreen Unrated Director's Cut)

  • The Lost Tape - 15 minutes of terrifing footage
  • Special Report - Zombie Invasion
  • 12+ minutes of deleted scenes
  • Commentary with director Zack Snyder and producer Eric Newman
Packed with more blood, more gore, and more bone-chilling, jaw-dropping thrills, Dawn of the Dead Unrated Director's Cut is the version too terrifying to be shown in theaters! Starring Mekhi Phifer, Ving Rhames and Sarah Polley in an edgy, electrifying thrill-ride.

When a mysterious virus turns people into mindless, flesh-eating zombies, a handful of survivors wage a desperate, last-stand battle to stay alive…and human.Are you ready to get down with the sickness? Movie logic dictates that you shouldn't remake a classic, but Zack Snyder's Dawn of the Dead defies that logic and comes up a winner. You could argue that George A. Romero's 1978 original was sacred ground for hor! ror buffs, but it was a low-budget classic, and Snyder's action-packed upgrade benefits from the same manic pacing that energized Romero's continuing zombie saga. Romero's indictment of mega-mall commercialism is lost (it's arguably outmoded anyway), so Snyder and screenwriter James Gunn compensate with the same setting--in this case, a Milwaukee shopping mall under siege by cannibalistic zombies in the wake of a devastating viral outbreak--a well-chosen cast (led by Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer), some outrageously morbid humor, and a no-frills plot that keeps tension high and blood splattering by the bucketful. Horror buffs will catch plenty of tributes to Romero's film (including cameos by three of its cast members, including gore-makeup wizard Tom Savini), and shocking images are abundant enough to qualify this Dawn as an excellent zombie-flick double-feature with 28 Days Later, its de facto British counterpart. --Jeff S! hannon

Fast Food Nation: The Dark Side of the All-American Meal

  • ISBN13: 9780060838584
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Fast food has hastened the malling of our landscape, widened the chasm between rich and poor, fueled an epidemic of obesity, and propelled American cultural imperialism abroad. That's a lengthy list of charges, but Eric Schlosser makes them stick with an artful mix of first-rate reportage, wry wit, and careful reasoning.

Schlosser's myth-shattering survey stretches from California's subdivisions, where the business was born, to the industrial corridor along the New Jersey Turnpike, where many of fast food's flavors are concocted. Along the way, he unearths a trove of fascinating, unsettling truths -- from the unholy alliance between fast foo! d and Hollywood to the seismic changes the industry has wrought in food production, popular culture, and even real estate.

On any given day, one out of four Americans opts for a quick and cheap meal at a fast-food restaurant, without giving either its speed or its thriftiness a second thought. Fast food is so ubiquitous that it now seems as American, and harmless, as apple pie. But the industry's drive for consolidation, homogenization, and speed has radically transformed America's diet, landscape, economy, and workforce, often in insidiously destructive ways. Eric Schlosser, an award-winning journalist, opens his ambitious and ultimately devastating exposé with an introduction to the iconoclasts and high school dropouts, such as Harlan Sanders and the McDonald brothers, who first applied the principles of a factory assembly line to a commercial kitchen. Quickly, however, he moves behind the counter with the overworked and underpaid teenage workers, onto the factory far! ms where the potatoes and beef are grown, and into the slaught! erhouses run by giant meatpacking corporations. Schlosser wants you to know why those French fries taste so good (with a visit to the world's largest flavor company) and "what really lurks between those sesame-seed buns." Eater beware: forget your concerns about cholesterol, there is--literally--feces in your meat.

Schlosser's investigation reaches its frightening peak in the meatpacking plants as he reveals the almost complete lack of federal oversight of a seemingly lawless industry. His searing portrayal of the industry is disturbingly similar to Upton Sinclair's The Jungle, written in 1906: nightmare working conditions, union busting, and unsanitary practices that introduce E. coli and other pathogens into restaurants, public schools, and homes. Almost as disturbing is his description of how the industry "both feeds and feeds off the young," insinuating itself into all aspects of children's lives, even the pages of their school books, while leaving them pron! e to obesity and disease. Fortunately, Schlosser offers some eminently practical remedies. "Eating in the United States should no longer be a form of high-risk behavior," he writes. Where to begin? Ask yourself, is the true cost of having it "your way" really worth it? --Lesley Reed

THE AMITYVILLE HORROR ORIGINAL MOVIE POSTER

  • SINGLE-SIDED REGULAR 27X41 NEW
  • DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
  • SIZE: Approx 27x40 inches unless otherwise stated.
FOR USE IN SCHOOLS AND LIBRARIES ONLY.There's no place like home...for bloodcurdling horror! James Brolin, Margot Kidder and Academy AwardÂ(r) winner* Rod Steiger fall prey to the powers of darkness in this spine-tingling tale ofa house possessed by unspeakable evil. One of the most talked-about haunted-house stories of all time, The Amityville Horror will hit you where you live. For George and Kathy Lutz, the colonial home on the river's edge seemed ideal: quaint, spacious and amazingly affordable. Of course, six brutal murders had taken place there just a year before, but houses don't have memories...ordo they? Soon the Lutz dream house becomes a hellish nightmare, as walls begin to drip blood! and satanic forces threaten to destroy them. Now the Lutzes must try to escape or forfeit their livesand their souls! *1967: Actor, In the Heat of the NightBased on a bestselling, allegedly nonfiction book about haunted goings-on in a Long Island house (The Amityville Horror Conspiracy), this rather cheesy horror movie is more silly than unsettling. James Brolin and Margot Kidder star as newlyweds who move into the empty home and are gradually affected by the legacy of a murder committed on the premises. Rod Steiger is a priest who can tell what's up and gets dispatched in a rather ugly way. Director Stuart Rosenberg can't lift the action above a certain level of tawdriness, and the audience ends up watching the horror from a distance instead of feeling involved. In the wake of The Exorcist, this 1979 spooker seemed like a no-brainer knockoff--and still does. --Tom Keogh The fright factor of this 1979 horror hit wouldn't have been nearly as strong wit! hout Lalo Schifrin's spine-tingling score, which left audience! members somehow sure that what they were watching was REAL. That fact wasn't lost on the Academy, who nominated Schifrin for a Best Score Oscar. This reissue adds never-before-released cues to the original release!From Michael Bay, the producer of "The Texas Chainsaw Massacre," comes the true story of Amityville. In November 1974, a family of six was brutally murdered. Now, a year later, an unsuspecting young couple, George (Ryan Reynolds, "Blade: Trinity," "The In-Laws") and Kathy Lutz (Melissa George, TV's "Alias"), and their children move into the house that was the site of the horrific event and is now haunted by a murderous presence. What follows is 28 days of unimaginable terror. With demonic visions of the dead and relentless screams of terror, this is the haunted house story that isn't just a movie - it's real.House of Fear: An Anthology of Haunted House Stories

The tread on the landing outside the door, when you know you are the only one in the house. The wind w! histling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house.

Editor Jonathan Oliver brings horror home with a collection of haunted house stories by some of the finest writers working in the horror genre, including Joe R. Lansdale, Sarah Pinborough, Lisa Tuttle, Christopher Priest, Adam L. G. Nevill, Nicholas Royle, Chaz Brenchley, Christopher Fowler, Gary Kilworth, Weston Ochse, Eric Brown, Tim Lebbon, Nina Allan, Stephen Volk, Paul Meloy and more.
House of Fear: An Anthology of Haunted House Stories

The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house.

Editor Jonathan Oliver brings horror home with a collection of haunted house stories by some of the finest writers working in the horror! genre, including Joe R. Lansdale, Sarah Pinborough, Lisa Tutt! le, Chri stopher Priest, Adam L. G. Nevill, Nicholas Royle, Chaz Brenchley, Christopher Fowler, Gary Kilworth, Weston Ochse, Eric Brown, Tim Lebbon, Nina Allan, Stephen Volk, Paul Meloy and more.
PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

Worship Architect, The: A Blueprint for Designing Culturally Relevant and Biblically Faithful Services

  • ISBN13: 9780801038747
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
ORISUE The Architect Slim Fit Jean in Indigo Raw,Denim for Men:Build a Timeless, Original Story Using Hundreds of Classic Story Motifs!

It's been said that there are no new ideas; but there are proven ideas that have worked again and again for all writers for hundreds of years.

Story Structure Architect is your comprehensive reference to the classic recurring story structures used by every great author throughout the ages. You'll find master models for characters, plots, and complication motifs, along with guidelines for combining them to create unique short stories, novels, scripts, or plays. You'll also learn how to:

  • Build compelling stories that don't get bogged down in the ! middle
  • Select character journeys and create conflicts
  • Devise subplots and plan dramatic situations
  • Develop the supporting characters you need to make your story work
Especially featured are the standard dramatic situations inspire by Georges Polti's well-known 19th century work, The Thirty-Six Dramatic Situations. But author Victoria Schmidt puts a 21st-century spin on these timeless classics and offers fifty-five situations to inspire your creativity and allow you even more writing freedom. Story Structure Architect will give you the mold and then help you break it.

This browsable and interactive book offers everything you need to craft a complete, original, and satisfying story sure to keep readers hooked!A hilarious, irreverent book about doing your own thing

Meet Iggy Peckâ€"creative, independent, and not afraid to express himself! In the spirit of David Shannon’s No, David and Rosemary Wells’s Noisy Nora, ! Iggy Peck will delight readers looking for irreverent, ins! pired fu n.

Iggy has one passion: building. His parents are proud of his fabulous creations, though they’re sometimes surprised by his materialsâ€"who could forget the tower he built of dirty diapers? When his second-grade teacher declares her dislike of architecture, Iggy faces a challenge. He loves building too much to give it up! With Andrea Beaty’s irresistible rhyming text and David Roberts’s puckish illustrations, this book will charm creative kids everywhere, and amuse their sometimes bewildered parents.Build a Timeless, Original Story Using Hundreds of Classic Story Motifs!It's been said that there are no new ideas; but there are proven ideas that have worked again and again for all writers for hundreds of years.Story Structure Architect is your comprehensive reference to the classic recurring story structures used by every great author throughout the ages. You'll find master models for characters, plots, and complication motifs, along with guidelines for combin! ing them to create unique short stories, novels, scripts, or plays. You'll also learn how to:Build compelling stories that don't get bogged down in the middleSelect character journeys and create conflictsDevise subplots and plan dramatic situationsDevelop the supporting characters you need to make your story workEspecially featured are the standard dramatic situations inspire by Georges Polti's well-known 19th century work, The Thirty-Six Dramatic Situations. But author Victoria Schmidt puts a 21st-century spin on these timeless classics and offers fifty-five situations to inspire your creativity and allow you even more writing freedom. Story Structure Architect will give you the mold and then help you break it.This browsable and interactive book offers everything you need to craft a complete, original, and satisfying story sure to keep readers hooked!Build a Timeless, Original Story Using Hundreds of Classic Story Motifs!It's been said that there are no new ideas; but ther! e are proven ideas that have worked again and again for all wr! iters fo r hundreds of years.Story Structure Architect is your comprehensive reference to the classic recurring story structures used by every great author throughout the ages. You'll find master models for characters, plots, and complication motifs, along with guidelines for combining them to create unique short stories, novels, scripts, or plays. You'll also learn how to:Build compelling stories that don't get bogged down in the middleSelect character journeys and create conflictsDevise subplots and plan dramatic situationsDevelop the supporting characters you need to make your story workEspecially featured are the standard dramatic situations inspire by Georges Polti's well-known 19th century work, The Thirty-Six Dramatic Situations. But author Victoria Schmidt puts a 21st-century spin on these timeless classics and offers fifty-five situations to inspire your creativity and allow you even more writing freedom. Story Structure Architect will give you the mold and then help you bre! ak it.This browsable and interactive book offers everything you need to craft a complete, original, and satisfying story sure to keep readers hooked!

Was the financial collapse caused by free-market capitalism and deregulation run amok, as liberals claim?

Not on your life, says Peter Schweizer. What we are really witnessing is a massive failure of social engineering by liberals.

Architects of Ruin, bestselling author Peter Schweizer describes in riveting detail how a coalition of left-wing activists, liberal politicians, and "do-good capitalists" on Wall Street leveraged government power to achieve their goal of broadening homeownership among minorities and the poor. The results were not only devastating to the economy, but hurt the very people they were supposedly trying to help.

The story begins in the 1960s with Saul Alinsky, the legendary Chicago rabble-rouser who trained his acolytes in highly aggressive t! echniques of community activism. Alinsky's disciplesâ€"along w! ith race -baiting activists like Jesse Jacksonâ€"seized on the "redlining" controversy of those years to argue that banks were guilty of racial discrimination. In the 1970s, with the help of liberal senators like Ted Kennedy and William Proxmire, legislation was passed that put bankers under the thumb of local activists.

In the Clinton years, a new generation of liberal technocrats came to power in Washington and on Wall Street. Schweizer describes how a powerful phalanx of elite liberals, including Bill Clinton, Robert Rubin, Andrew Cuomo, Barney Frank, Chris Dodd, Janet Reno, Deval Patrick, Henry Cisneros, Barack Obama, Nancy Pelosi, Ted Kennedy, Charles Schumer, and many others, aggressively pushed banks to make trillions of dollars in loans to individuals who should never have received them.

Meanwhile, Clinton forged a new form of state capitalism in which the big Wall Street financial companies were repeatedly bailed outâ€"with their profits intactâ€"from a ser! ies of costly errors, leading them to take ever larger risks. Both financial policies had profoundly distorting effects. The result was the bursting of twin bubbles in mortgages and mortgage-backed derivatives, in turn leading to a global economic collapse.

This tale of liberal "Robin Hood capitalism run wild" has never been told. But more than just a story about the past, it is also an urgent warning about the future. For today, the very same people who planted the seeds of the collapse are back in Washington, tasked with cleaning up the mess and determined to use the crisis they caused as cover for a massive overhaul of the American economic system.

These people have learned nothing from their past mistakes and are busy applying the same methods to other sectors of the economyâ€"health care, the auto industry, real estate (again!), and above all the promotion of "green" technologiesâ€"inflating bubbles that are sure to bring about another crisis. Ordinar! y Americans who foot the bill for the last state-capitalist bu! bble hav e reason to be afraidâ€"very afraidâ€"of the inevitable result.

A former UN worker and prominent architect, Johan van Lengen has seen firsthand the desperate need for a "greener" approach to housing in impoverished tropical climates. This comprehensive book clearly explains every aspect of this endeavor, including design (siting, orientation, climate consideration), materials (sisal, cactus, bamboo, earth), and implementation. The author emphasizes throughout the book what is inexpensive and sustainable. Included are sections discussing urban planning, small-scale energy production, cleaning and storing drinking water, and dealing with septic waste, and all information is applied to three distinct tropical regions: humid areas, temporate areas, and desert climates. Hundreds of explanatory drawings by van Lengen allow even novice builders to get started.
There are many books available on the topic of worship today, but few provide a comprehensive, pr! actical method for worship design. Constance M. Cherry, a worship professor and practitioner, provides worship leaders with credible blueprint plans for successfully designing worship services that foster meaningful conversation with God and the gathered community. Readers will learn how to create services that are faithful to Scripture, historically conscious, relevant to God, Christ-centered, and engaging for worshipers of all ages in the twenty-first century. The book sets forth basic principles concerning worship design and demonstrates how these principles are conducive to virtually any style of worship practiced today in a myriad of Christian communities. It will also work well as a guide for worship-planning teams in local churches and provide insight for worship students, pastors, and church leaders involved in congregational worship.

Ballistic: Ecks vs Sever

  • Inspired by the Warner Bros. and Franchise Pictures movie "Ballistic: Ecks Vs Sever" starring Antonio Banderas,Lucy Liu and Ray Park
  • Over 22 single player missions, playing as former FBI agent Ecks or rogue NSA agent Sever;Three different modes of Multiplayer Multi Pak action including Death Match, Assassination, and Bomb Ki
  • Explosive, destructible environments. Cause real destruction in real settings
  • Explore bigger and more realistic areas in locations in the United States and the rest of the world
  • ounterstrike style hostage rescue missions. Fight your way into situations and then protect the innocent;Vastly improved enemy AI reacting to sound, sight and threatening situations;A massive array of realistic weapons including hand-to-hand items, pistols, shotguns, assault rifles, sniper rifle, and grenades
This is a story of two spies, who are lifelong adversarie! s, engaged in a cat-and-mouse hunt. Jonathan Ecks (Banderas) is an FBI agent hunting the other, Sever (Liu) a rogue NSA agent. What they learn, however, while trying to kill each other... is that they might be on the same side, and faced with a threat greater to each other than themselves.If you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United against a common enemy, Ecks and Sever lay wast! e to half of Vancouver (the film's budget-conscious location),! and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonIf you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United against a common enemy, Ecks and Sever lay waste to half of V! ancouver (the film's budget-conscious location), and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonIf you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United agai! nst a common enemy, Ecks and Sever lay waste to half of Vancou! ver (the film's budget-conscious location), and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonThe World has changed. Freedom has been compromised. Terror attacks on innocent people are on the increase. Ex-FBI agent Ecks and Ex-NSA operative Sever are back in another action filled game that advances the boundaries of First Person Shooters on the Game Boy Advance. Whilst Ecks follows up leads on home soil, Sever takes the battle to the front, infiltrating suspected sleeper groups based overseas and closing in on their chain of supply. Only Ecks and Sever can save the world from certain nuclear holocaust. Have you got what it takes to help them? Go Global. Go Ballistic.

Color Changing Everlasting Tealights Candles with 7 Rainbow Colors- Set of 12

  • Each Light is flame shaped and changes through seven different colors
  • Set of 12 Candles
  • Tealight candles are 2" tall and 1.5" diameter
  • Flameless candles are safe to use around children, pets and decorations
  • Long-lasting lithium battery is included
Swedish master Jan Troell (The Emigrants, The New Land) returns triumphantly with EVERLASTING MOMENTS, a vivid, heartrending story of a woman liberated through art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, EVERLASTING MOMENTS--based on a true story--is a miraculous tribute to the power of image making.Fitting for a movie about a woman w! ho finds a new life through photography, Everlasting Moments features stunning images: A streetcar looming out of a wall of fog; the shadow of a zeppelin gliding across a courtyard; a family bouncing around a bedroom, all wearing Charlie Chaplin mustaches. This rich, emotionally powerful film begins in 1907 in a Swedish port, where Maria Larsson (Maria Heiskanen) struggles to raise her four children with little help from her boozing, womanizing husband Sigfrid (Mikael Persbrandt). By accident, she rediscovers a camera that she'd won in a lottery; through its lens she reinvents her confined, unhappy world as a place of warmth, hope, and spiritual transcendence--and begins a furtive, yearning romance with an older photographer who gives her supplies from his studio. Everlasting Moments covers decades of Maria's life, capturing not only her character but the character of the times in which she lived--an era of social unrest, world war, and personal upheaval. Yet despite this d! ense story, the movie feels relaxed and unfolds with the easy ! command of writer/director Jan Troell, whose films have won dozens of awards around the world, though he is little-known in the U.S. With any luck, Everlasting Moments will bring him some much-due recognition. --Bret FetzerSwedish master Jan Troell (The Emigrants, The New Land) returns triumphantly with EVERLASTING MOMENTS, a vivid, heartrending story of a woman liberated through art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, EVERLASTING MOMENTS--based on a true story--is a miraculous tribute to the power of image making.Fitting for a movie about a woman who finds a new life through photography, Everlasting Moments features stunning images: A streetcar looming out of a wall of fog; the shadow of a zepp! elin gliding across a courtyard; a family bouncing around a bedroom, all wearing Charlie Chaplin mustaches. This rich, emotionally powerful film begins in 1907 in a Swedish port, where Maria Larsson (Maria Heiskanen) struggles to raise her four children with little help from her boozing, womanizing husband Sigfrid (Mikael Persbrandt). By accident, she rediscovers a camera that she'd won in a lottery; through its lens she reinvents her confined, unhappy world as a place of warmth, hope, and spiritual transcendence--and begins a furtive, yearning romance with an older photographer who gives her supplies from his studio. Everlasting Moments covers decades of Maria's life, capturing not only her character but the character of the times in which she lived--an era of social unrest, world war, and personal upheaval. Yet despite this dense story, the movie feels relaxed and unfolds with the easy command of writer/director Jan Troell, whose films have won dozens of awards around the! world, though he is little-known in the U.S. With any luck, E! verlasti ng Moments will bring him some much-due recognition. --Bret Fetzerblockbuster exclusiveUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Swedish ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Anamorphic Widescreen, Behind the scenes, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: In a series of remarkable events inspired by a true story, Maria Heiskanen stars as Maria Larsson, a Finnish mother and housewife who devotes all of her attention, care, and consideration to the well-being of her family -- but, like many homemakers, does so at the expense of her own identity and self-awareness. Not that her dockworker husband, Sigge (Mikael Persbrandt), particularly deserves such consideration; a brutish, alcoholic lout, his evenings consist of making life hell for Maria and their daughter with tyrannical, abu! sive behaviour. Then, as the dockworkers go on strike and the family's economic situation plummets, a ray of hope appears, in the form of a Contessa camera won in a local lottery. Unsurprisingly, Maria at first attempts to pawn it to reel in extra monies, but store owner Sebastian Pedersen convinces her otherwise; he teaches her how to use it, and she begins taking gorgeous, haunting photographs with the unaffected, instinctive perceptions of a young child. As the woman's self-discovery builds and her identity takes on form and definition, Sebastian unofficially takes her on as a protégée and quietly witnesses romantic feelings for her building inside of him. Meanwhile, Sigge's life falls to pieces when the authorities connect him with the catastrophic explosion of a British vessel. Maria's daughter, Maja (Callin Ohrvall), narrates. SCREENED/AWARDED AT: Golden Globes, ...Everlasting Moments ( Maria Larssons eviga ögonblick ) ( Die ewigen Augenblicke der Maria Larsson )En! joy the experience of the Fountain of Angels show again and ag! ain, fea turing music by members of the London Studio Orchestra and others. Twice daily, the Fountain of Angels erupts into life. In the center of its own 10-story theater, the multilayered fountain blasts water over 120 4-foot bronze statues of bare-bottomed cherubs, cheerful-looking fish and water-spouting ducks. As the music soars _ a recorded chorus of Christian music (example: "In the Garden") performed by members of the London Philharmonic _ the fountain bursts into a Vegas-style light and water show. In one, "The Everlasting Promise," a booming voice narrates tales of GenesisSet of twelve color changing flameless LED Tealights. Flame shaped light cycles through 7 colors. One click on/off switch and long-lasting lithium batteries yield over 120 hours of continuous use. Sized to fit in all votive applications or surrounded by decorations and designs. Perfect for wedding, parties and BBQ.

Heckler

Friday the 13th (Extended Killer Cut)

  • A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky
Friday the 13th
The film takes place years after a young boy named Jason drowns in a lake while attending Camp Crystal Lake and shortly thereafter, the camp closes. Flash forward to the present, where the owner decides to re-open the camp and one by one, the counselors have mysteriously been murdered by an unseen person.

Friday the 13th, Part 2

The second installment picks up with Jason Voorhees, presumed dead from drown! ing years ago, exacting revenge on the innocent campers at "Camp Blood." Living as a hermit in the woods all these years, Jason witnesses the graphic murder of his mother and decides to wreak havoc on everyone at the camp - killing each camp counselor one by one.

Friday the 13th, Part 3
Vacationing teenagers take off for a weekend of relaxation at Camp Crystal Lake. Planning a few days of sex, drugs and rock-and-roll, they are in for a series of frightening surprises when a local motorcycle gang follows the teenagers back to their campsite, only to find a persistent Jason with an agenda of his own. Adorned with his trademark hockey mask for the first time in the series, Jason delivers non-stop chills and thrills as everyone on the lake must fight for their lives. Part III includes cast commentary by author Peter Bracke and actors Larry Zerner, Paul Kratka, Dana Kimmell and Richard Brooker.

Frida! y the 13th, Part IV: The Final Chapter
Jas! on resu rfaces from a seemingly deadly massacre and returns to Camp Crystal Lake to a new set of prey. Starring a young Corey Feldman as Tommy Jarvis, it seems Jason has finally met his match in the 12-year old horror movie maven. Enlisting the help of a local hunter, Tommy and his sister must rely on one another to help defeat Jason, while also trying to avoid their own demise.

Friday the 13th, Part V: A New Beginning

With Jason dead, someone new has begun a killing spree of their own, using Jason's M.O. and preying on inhabitants of a sanctuary.

Friday the 13th, Part VI: Jason Lives
Tommy returns to the grave to ensure that Jason is indeed dead. Instead of remaining dead, Jason is accidentally brought back to life by Tommy and now Tommy must stop all the mindless killing and make sure Jason dies for good this time. Part VI features commentary by director Tom McLoughlin.

Friday the 13th, Part VII: The New Blood
The film centers on Tina Shepard, a young girl with telekinetic powers who believes she drowned her father in Crystal Lake. Returning to the site as a method of supposedly helping her cope with her grief, Tina accidentally frees Jason from his watery grave, only to lead to more killing sprees by the man in the infamous hockey mask. Part VII features commentary by Kane Hodder and director John Carl Buechler and Part VIII features commentary by director Tom McLoughlin.

Friday the 13th, Part VIII: Jason Takes Manhattan
A graduating class of a local high school vacation on a cruise ship and unbeknownst to them, Jason is a stowaway on the same ship. Slowly killing students one at a time, Jason eventually sinks the boat, stranding the few lone survivors in Manhattan. Among those survivors, is Rennie, who believes Jason attempted to drown her as a child. Fig! hting for her their lives, Rennie and the other survivors mus! t make s ure Jason dies once and for all.

A featurette "Tales From the Cutting Room," in which exclusive deleted scenes and footage is revealed for the first time. An 8-part featurette "The Friday The 13th Chronicles," which looks at the legacy of the films throughout their history, featuring cast and crew commenting on each film and why they appeal to audiences. Includes Adrienne King, Amy Steel, Corey Feldman, Kane Hodder, Lar Park Lincoln, Betsy Palmer, Tom Savini and directors Sean Cunningham, Tom McLoughlin, Rob Heddon, Joseph Zito and John Carl Buechler. A 3-part featurette "Secrets Galore Behind The Gore," which looks at the work of master make-up effects designer Tom Savini in Part 1 and Part IV and John Carl Buechler in Part VII. Includes rare and never-before-seen footage, drawings and stills illustrating the make-up techniques used to create Jason and achieve elaborate death scenes. A featurette "Crystal Lake Victims Tell All!" in which cast and c! rew from various films share amusing anecdotes. Includes Corey Feldman, Larry Zerner, Adrienne King, Amy Steel, Lar Park Lincoln and directors. A featurette "Friday Artifacts and Collectibles," which looks at props and collectables from the films. The theatrical trailers from all 8 movies except Part VI, which is represented by the teaser trailer.Friday the 13th
This splatter flick, along with John Carpenter's Halloween, helped spawn the great horror-movie movement of the '80s, not to mentioneight sequels, many of which had nothing to do with the films that preceded them. It also gave birth to Jason Voorhees, one of the three biggest horror-movie psychos of the modern era (the other two being Halloween's Michael Myers and A Nightmare on Elm Street's Freddy Krueger). Forever duplicated, the original Friday the 13th popularized a number of themes and techniques that today are now clichés: the increasi! ngly gory murders, the remote forest location, the anonymous ! and nubi le cast, the murderer as cult hero, and, of course, the moral that if you have sex, you will die, very painfully. Still, if you have to see a Friday the 13th movie, this is the one to check out. A group of eager (and horny) teenagers decide to reopen Camp Crystal Lake, which 20 years earlier was closed after the shocking and mysterious murders of two amorous camp counselors. You can take it from there, as the teens get picked off one by one, during a dark and stormy night; of course, their car won't start and there's no phone. The ending stole shamelessly from Brian De Palma's Carrie, but it still provides a slight if campy shock. Look for a young Kevin Bacon as the requisite stud--you can tell that's what he is because when the cast appears in swimsuits, he's wearing a Speedo--who's the beneficiary of the film's best murder sequence, an arrowhead to the throat. Right after having sex, of course. --Mark Englehart

Fri! day the 13th, Part 2
As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child! -psychology major, Ginny tries to outwit the dim Jason, and a! t one po int dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark Englehart

Friday the 13th, Part 3
The tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past hi! story and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good," but this creatively grotesque installment manages to come surprisingly close with a welcome sense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright

Friday the 13th, The Final Chapter
Amateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-a! nd-slash formula was pretty narcoleptic by this point, but th! is other wise humdrum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andrew Wright

Friday the 13th, Part VII
A philosophical quandary: when we truly get a glimpse behind the mask, do we like what we see? This eternal question is directly addressed in chapter 7 of the famed Friday the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for yo! ung blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert Horton

Friday the 13th, Part VIII
Start spreadin' the news... Jason Voorhees, the cleaver-hoisting man in the hockey mask, has finally left Crystal Lake behind and taken his vagabond shoes to the Big Apple. Actually, Jason spends most of his time on a cruise ship bound for Manhattan, carving up the unluckiest high school graduation party ever. You'd think the change of scenery might breathe new life, or death, into the series, but chapter 8 is standard stalk 'em and slash 'em fare, albeit with a nautical slan! t. The title hints at a comic tone, but except for the one-jo! ke idea that Jason fits right into the menacing urban scene, forget it. (The comedy would wait until the surprisingly entertaining Jason X.) This one does have a pretty leading lady, Jensen Daggett, whose visions of the young drowned Jason are occasionally creepy. The grown-up Jason, like "these little-town blues," is melting away. --Robert Horton
Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bottom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. Thi! s, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpeta) is pretty funny. You might even regret the slaughter of a couple of these young folk, which is an unusual feeli! ng in Friday-watching. The film's Jason is quite the ! athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? The longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute fea! turette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

Fix, Freeze, Feast: The Delicious, Money-Saving Way to Feed Your Family

  • ISBN13: 9781603427265
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Buy groceries in bulk, prepare family-friendly dishes, package in meal-sized freezer bags, then stock the freezer with ready-to-defrost-and-serve tasty homemade meals. This is the winning system of Fix, Freeze, Feast, a cookbook that has already attracted an enthusiastic following among busy families.

Millions of shoppers save money by buying groceries in bulk - trays of boneless chicken breasts, pairs of flank steaks, flats of ripe tomatoes. But savings can quickly turn to losses if those bulk quantities spoil in the refrigerator or lie forgotten - unlabeled and unrecognizable under lays of ice crystals - in the back of the freezer.

In the new paperback edition of Fix, Freeze, ! Feast, authors Kati Neville and Lindsay Tkacsik offer a complete system for taking full advantage of bulk purchasing and advance preparation to ensure no food is ever wasted. They show how easy it is to get organized, prepare ahead, and be ready to put healthful, satisfying meals on the dinner table (or breakfast table, or even brunch table!) at a moment's notice. Theirs is a cookbook price-conscious shoppers will love and warehouse club members shouldn't be without.

Cooks will find 125 delicious, healthful recipes to choose from Each one includes directions for dividing, preparing, and storing raw ingredients; a second set of simple direction is included for thawing, cooking, and enjoying the food. Designed for the way people cook today, Fix, Freeze, Feast meals are lighter and fresher than traditional bulk-cooking recipes, with a focus on simple stews and stir-fries, quick grilled or broiled main courses, and popular ethnic meals such as Beef Fajitas and! Cashew Chicken Stir-Fry. Fix, Freeze, Feast, also incl! udes rea dy-to-bake cookie doughs, soups, side dishes, smoothies, and snacks. With these innovative techniques and recipes, dinner is always in the freezer!