Sunday, November 27, 2011

Hotel Rwanda [Blu-ray]

  • 1080p Hi-Def Widescreen Transfer
  • First time on Blu-ray
  • Released by MGM/Fox Home Entertainment
  • Includes Commentary Tracks, Documnetaries and more!
Once you find out what happened in Rwanda, you'll never forget. OscarÂ(r) nominee* Don Cheadle (Traffic) gives "the performance of his career in this extraordinarily powerful" (The Hollywood Reporter) and moving true story of one man's brave stance against savagery during the 1994 Rwandan conflict. Sophie Okonedo (Dirty Pretty Things) co-stars as the loving wife who challenges a good man to become a great man. As his country descends into madness, five-star-hotel manager Paul Rusesabagina (Cheadle) sets out to save his family. But when he sees that theworld will not intervene in the massacre of minority Tutsis, he finds the courage to open his hotelto more than 1,200 refugees. Now, with a rabid militia at the gates, he m! ust use his well-honed grace, flattery and cunning to protect his guests from certain death. *2004: Actor, Hotel RwandaSolidly built around a subtle yet commanding performance by Don Cheadle, Hotel Rwanda emerged as one of the most highly-praised dramas of 2004. In a role that demands his quietly riveting presence in nearly every scene, Cheadle plays real-life hero Paul Rusesabagina, a hotel manager in the Rwandan capital of Kigali who in 1994 saved 1,200 Rwandan "guests" from certain death during the genocidal clash between tribal Hutus, who slaughtered a million victims, and the horrified Tutsis, who found safe haven or died. Giving his best performance since his breakthrough role in Devil in a Blue Dress, Cheadle plays Rusesabagina as he really was during the ensuing chaos: "an expert in situational ethics" (as described by critic Roger Ebert), doing what he morally had to do, at great risk and potential sacrifice, with an understanding that wartime! negotiations are largely a game of subterfuge, cooperation, a! nd cleve r bribery. Aided by a United Nations official (Nick Nolte), he worked a saintly miracle, and director Terry George (Some Mother's Son) brings formidable social conscience to bear on a true story you won't soon forget. --Jeff ShannonSolidly built around a subtle yet commanding performance by Don Cheadle, Hotel Rwanda emerged as one of the most highly-praised dramas of 2004. In a role that demands his quietly riveting presence in nearly every scene, Cheadle plays real-life hero Paul Rusesabagina, a hotel manager in the Rwandan capital of Kigali who in 1994 saved 1,200 Rwandan "guests" from certain death during the genocidal clash between tribal Hutus, who slaughtered a million victims, and the horrified Tutsis, who found safe haven or died. Giving his best performance since his breakthrough role in Devil in a Blue Dress, Cheadle plays Rusesabagina as he really was during the ensuing chaos: "an expert in situational ethics" (as described by critic Roger Ebert), do! ing what he morally had to do, at great risk and potential sacrifice, with an understanding that wartime negotiations are largely a game of subterfuge, cooperation, and clever bribery. Aided by a United Nations official (Nick Nolte), he worked a saintly miracle, and director Terry George (Some Mother's Son) brings formidable social conscience to bear on a true story you won't soon forget. --Jeff Shannon

Fugitive Pieces: A Novel

  • ISBN13: 9780679776598
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A New York Times Notable Book of the YearWinner of the Lannan Literary Fiction AwardWinner of the Guardian Fiction AwardIn 1940 a boy bursts from the mud of a war-torn Polish city, where he has buried himself to hide from the soldiers who murdered his family. His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.As Michaels follows Jakob across two con! tinents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.Anne Michaels, an accomplished poet, has already published two collections of poetry in her native Canada. She turns her hand to fiction in an impressive debut novel, Fugitive Pieces. This is the story of Jakob Beer, a Polish Jew, translator, and poet who, as a child, witnessed his family's slaughter at the hands of the Nazis. Beer himself was found and smuggled out of Poland by Athos Roussos, a Greek archaeologist who carried him back to Greece and kept him there in precarious safety. After the war they emigrated together to Canada. Jakob's story is told through diaries discovered by Ben, a young man whose parents are Holocaust s! urvivors and who is a vessel for their memories just as Jako! b is the bearer of his own.

Fugitive Pieces is a book about memory and forgetting. How is it possible to love the living when our hearts are still with the dead? What is the difference between what historical fact tells us and what we remember? More than that, the novel is a meditation on the power of language to free our souls and allow us to find our own destinies.

Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef

  • ISBN13: 9781400068722
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The CD Slide Pack is a new form of no-frills CD packaging featuring an outer slipcase with the original cover artwork, and an inner 'slider' including a CD. Note: there is no CD booklet in this package.AS INDIVIDUALS, CONGRESSWOMAN GABRIELLE GIFFORDS and her husband, astronaut Mark Kelly, showed Americans how optimism, an adventurous spirit, and a call to service can help change the world. As a couple, they became a national example of the healing power to be found in deeply shared love and courage. Their arrival in the world spotlight came under the worst of circumstances. On January 8, 2011, while meeting with her constituents in Tucson, Arizona, Gabby was the victim of an assassination attemp! t that left six people dead and thirteen wounded. Gabby was shot in the head; doctors called her survival “miraculous.”

As the nation grieved and sought to understand the attack, Gabby remained in private, focused on her against-all-odds recovery. Mark spent every possible moment by her side, as he also prepared for his final mission as commander of space shuttle Endeavour.

Now, as Gabby’s health continues to improve, the couple is sharing their remarkable untold story. Intimate, inspiring, and unforgettably moving, Gabby: A Story of Courage and Hope provides an unflinching look at the overwhelming challenges of brain injury, the painstaking process of learning to communicate again, and the responsibilities that fall to a loving spouse who wants the best possible treatment for his wife. Told in Mark’s voice and from Gabby’s heart, the book also chronicles the lives that brought these two extraordinary people togetherâ€"their humor, their ambiti! ons, their sense of duty, their long-distance marriage, and th! eir desi re for family.

Gabby and Mark made a pledge to tell their account as honestly as possible, and they have done so in riveting detail. Both Gabby and Mark have lived large public lives, but this book takes readers behind many closed doorsâ€"from the flight deck of the space shuttle to the cloakrooms of Congress to the hospital wards where Gabby struggled to reclaim herself with the help of formidable medical teams and devoted family and friends.

Questions are answered with unvarnished candor. How do Gabby and Mark feel about the angry political discourse that was swirling in America at the time of the shooting, and that remains prevalent today? How do they see government living up to the highest possible ideals? And how do they understand and mourn the loss of the people who did not survive that day? Gabby: A Story of Courage and Hope is a reminder of the power of true grit, the patience needed to overcome unimaginable obstacles, and the transcendence of love. In ! the story of Gabrielle Giffords and Mark Kelly, we all can see the best in ourselves. As Mark and Gabby’s friends have said: “The two of them are America as we dream it can be.”This UK special edition of the album features all 15 of Gabrielle's hit singles including the recent smash 'Out Of Reach' from Bridget Jones's Diary, and 'If You Ever' (with East 17), plus the brand new bonus track 'If I Walked Away'.Jean (Pascal Greggory), a successful publisher, is acutely aware of and deeply pleased with his high social standing, fine taste, and abundant material possessions, among which he seems to include his wife, Gabrielle (Isabelle Huppert). But in a single af2007 release from the British R&B singer/songwriter, her fifth studio album that is a remarkable return to form. She returns to her roots by teaming with producers who played pivotal roles early in her career: Julian Gallagher and The Boilerhouse Boys. The recurring theme of the album is about break-ups, but that! is also offset with echoes of hope and redemption. The Boile! rhouse B oys conceived the idea for the set, which references Paul Weller's Wild Wood. When Weller became aware of the sessions, the Rock icon decided to add his own voice and guitar to the backing tracks as well as to make a cameo appearance in the promotional video for the single 'Why'. Gabrielle is back and stronger than ever! UMTV.Before Gabrielle Hamilton opened her acclaimed New York restaurant Prune, she spent twenty fierce, hard-living years trying to find purpose and meaning in her life. Above all she sought family, particularly the thrill and the magnificence of the one from her childhood that, in her adult years, eluded her. Hamilton’s ease and comfort in a kitchen were instilled in her at an early age when her parents hosted grand parties, often for more than one hundred friends and neighbors. The smells of spit-roasted lamb, apple wood smoke, and rosemary garlic marinade became as necessary to her as her own skin.

Blood, Bones & Butter follows an ! unconventional journey through the many kitchens Hamilton has inhabited through the years: the rural kitchen of her childhood, where her adored mother stood over the six-burner with an oily wooden spoon in hand; the kitchens of France, Greece, and Turkey, where she was often fed by complete strangers and learned the essence of hospitality; the soulless catering factories that helped pay the rent; Hamilton’s own kitchen at Prune, with its many unexpected challenges; and the kitchen of her Italian mother-in-law, who serves as the link between Hamilton’s idyllic past and her own future familyâ€"the result of a difficult and prickly marriage that nonetheless yields rich and lasting dividends.

Blood, Bones & Butter is an unflinching and lyrical work. Gabrielle Hamilton’s story is told with uncommon honesty, grit, humor, and passion. By turns epic and intimate, it marks the debut of a tremendous literary talent.

“I wanted the lettuce and eg! gs at room temperature . . . the butter-and-sugar sandwiches ! we ate a fter school for snack . . . the marrow bones my mother made us eat as kids that I grew to crave as an adult. . . . There would be no ‘conceptual’ or ‘intellectual’ food, just the salty, sweet, starchy, brothy, crispy things that one craves when one is actually hungry. In ecstatic farewell to my years of corporate catering, we would never serve anything but a martini in a martini glass. Preferably gin.”Amazon Best Books of the Month, March 2011: Gabrielle Hamilton's memoir, Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef, is just what a chef's story should be--delectable, dripping with flavor, tinged with adrenaline and years of too-little sleep. What sets Hamilton apart, though, is her ability to write with as much grace as vitriol, a distinct tenderness marbling her meaty story. Hamilton spent her idyllic childhood on a wild farm in rural Pennsylvania with an exhilarant father--an artist and set builder--and Fre! nch mother, both "incredibly special and outrageously handsome." As she entered her teens, however, her family unexpectedly dissolved. She moved to New York City at 16, living off loose change and eating ketchup packets from McDonald’s; worked 20-hour days at a soulless catering company; traveled, often half-starved, through Europe; and cooked for allergy-riddled children at a summer camp. The constant thread running through this patchwork tale, which culminates with the opening of her New York City restaurant, Prune, is Hamilton's slow simmering passion for cooking and the comfort it can bring. "To be picked up and fed, often by strangers, when you are in that state of fear and hunger, became the single most important food experience I came back to over and over," Hamilton writes, and it's this poignant understanding of the link between food and kindness that makes Blood, Bones & Butter so satisfying to read. --Lynette Mong

Guest Reviewer: Anthony Bourdain on Blood, B! ones, an d Butter


Anthony Bourdain is the author of the novels Bone in the Throat and Gone Bamboo, in addition to the bestseller Kitchen Confidential and A Cook's Tour. His work has appeared in the New York Times and The New Yorker, and he is a contributing authority for Food Arts magazine. He is also the host of the Emmy Award-winning television show No Reservations.

Very quickly after meeting Gabrielle Hamilton, I understood why she was a terrific and much-admired chef. I knew that her restaurant, Prune, was ground-breaking, that she seemed to have come out of nowhere, instead of being a product of the "system" (she'! d emerged from the invisible subculture of catering), to open one of the most quirky, totally uncompromising, and quickly-embraced restaurants in New York City. Her purportedly (but not really) Franco-phobic menus were intensely, notoriously personal, her early embrace of the nose-to-tail attitude was way, way ahead the times, and chefs--all chefs--seemed to like and respect her. Almost as quickly, it became apparent that this chef could write.

Short pieces appeared here and there over the years and they were sharp, funny, incisive, unsparing of both author and subjects--straight to the point and pretense-free, like Hamilton herself. She could write really well. And she had, from all accounts, a story to tell. So when it was announced that Blood, Bones, and Butter was in the works, I was very excited.

It was a long wait.

Five years later, I finally got my hands on an advance copy and eagerly devoured it. It was of course brilliant. I ex! pected it to be. But I wasn't prepared for exactly how goddam! n brilli ant the thing was, or how enchanted, difficult, strange, rich, inspiring and just plain hard her life and career--her long road to Prune--had been. I was unprepared for page after page of such sharp, carefully-crafted, ballistically-precise sentences. I was, frankly, devastated. I put this amazing memoir down and wanted to crawl under the bed, retroactively withdraw every book, every page I'd ever written. And burn them.

Blood, Bones, and Butter is, quite simply, the far-and-away best chef or food-genre memoir...ever. EVER. It certainly kicked the hell out of my Kitchen Confidential, which suddenly, in a second, felt shallow, sophomoric and ultimately lightweight next to this...this monster of a book, this--at times--truly hardscrabble life…Blood, Bones, and Butter is deeper, better written, more hardcore, more fully fleshed-out; a more well-rounded story than every sunflower-and-saffron account of soft-core food porn in France. It's as b! ullshit and pretense-free as AJ Leibling--and at least as well written, but more poignant, romantic--even thrilling.

It makes any "as told to" account of famous chef's lives look instantly ludicrous and bloodless. I've struggled to think of somebody/anybody who's written a better account of the journey to chefdom and can't think of anyone who's come even close.

Writing a memoir of one's life as a chef--or even writing about one's relationship with food--has, with the publication of this book, become much more difficult. Hamilton has raised the bar higher than most of us could ever hope to reach. This book will sell a gazillion copies. It will be a bestseller. It will be an enduring classic. It will inspire generation after generation of young cooks, and anyone who really loves food and understands the context in which it is best enjoyed, NOT as some isolated, over-valued object of desire, but as only one important aspect of a larger, richer spectrum of expe! riences. Each plate of food--like the menu at Prune--is the en! d result of a long and sometimes very difficult struggle.

Read this book and prepare to clean your system of all that's come before. It's a game-changer and a truly great work by a great writer and great chef.


The Limits of Control

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
Celebrated writer-director Jim Jarmusch (Mystery Train) serves up this witty and intoxicating brew that's "as addictive as caffeine" (Richard Roeper, "Ebert & Roeper and the Movies") and "as buzzy and ephemeral as, well, coffee and cigarettes" (LA Weekly)! "Sneakily delirious [and] way cool" (Time), this "funny cluster of eleven stories" (Rolling Stone) delivers "inspired eccentric match-ups" (The Hollywood Reporter) from an incredible all-star cast, making Coffee and Cigarettes an absolute must for fans of film, fun and fantastic wit!Now here is a movie that's practically perfect for DVD. Shot over many years with eccentric actors, Jim Jarmusch's collection of black-and-white vignettes is as uneven as a collection of music videos (without songs). Even with the dull spots and the drop-dead-hip ambi! ance, there's something touching about this parade of frazzled people holding on to their coffee and cigarettes like life rafts--especially in the final sequence with Taylor Mead. There are some severely misconceived pieces, but the best are a treat: Alfred Molina and Steve Coogan in a hilarious Hollywood encounter, Tom Waits and Iggy Pop getting off on the wrong foot in a funky diner, and Cate Blanchett doing a dual role as herself and a jealous cousin. Bill Murray can't save one underwritten piece, but Jack and Meg White are amusing in an absurdist blackout. Use the Scene Selection menu, and revel in the fetishizing of java and butts. --Robert HortonNow here is a movie that's practically perfect for DVD. Shot over many years with eccentric actors, Jim Jarmusch's collection of black-and-white vignettes is as uneven as a collection of music videos (without songs). Even with the dull spots and the drop-dead-hip ambiance, there's something touching about this parade o! f frazzled people holding on to their coffee and cigarettes li! ke life rafts--especially in the final sequence with Taylor Mead. There are some severely misconceived pieces, but the best are a treat: Alfred Molina and Steve Coogan in a hilarious Hollywood encounter, Tom Waits and Iggy Pop getting off on the wrong foot in a funky diner, and Cate Blanchett doing a dual role as herself and a jealous cousin. Bill Murray can't save one underwritten piece, but Jack and Meg White are amusing in an absurdist blackout. Use the Scene Selection menu, and revel in the fetishizing of java and butts. --Robert HortonALL PRODUCTS BRAND NEW, GUARANTEED AND FACTORY SEALED, GREAT PRODUCTS AND EXCELENT SERVICE (IDIOMA:INGLES,SUBTITULOS:ESPANOL,DURACION:96 MINS)When fate lands 3 hapless men - an unemployed disc jockey a small-time pimp & a strong-willed italian tourist - in a louisiana prison their singular adventure begins. Studio: Image Entertainment Release Date: 10/22/2002 Starring: John Lurie Roberto Benigni Run time: 107 minutes Director: Jom Jar! muschAfter creating one of the breakthrough movies of the American independent cinema, Stranger than Paradise, Jim Jarmusch stayed right in the same minimalist, oddball, black-and-white groove. Down by Law takes place in Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this movie is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Roberto Benigni, the Italian comedian (Life Is Beautiful), and he lights it up with his e! ffervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train, a triptych of disaffected, drifting life in the United States. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton A comic series of short vignettes built on one another to create a cumulative effect, as the characters discuss things as diverse as caffeine popsicles, Paris in the '20s, and the use of nicotine as an insecticide--all the while sitting around sipping coffee and smoking cigarettes. As director Jim Jarmusch delves into the normal pace of our world from an extraordinary angle, he shows just how absorbing the obsessions, joys and addictions of life can be, if truly observed.Acclaimed filmmaker Jim Jarmusch delivers a stylish and sexy new thriller about a mysterious loner (De Bankolé) who arrives in Spain with instructions to meet various strangers, each one a part of his dangerous mission. Featuring an all-star international cast that includes ! Isaach De Bankolé, Gael García Bernal, John Hurt, Tilda Swinton and Bill Murray, it’s a stunning journey in an exotic Spanish landscape that simmers with heat and suspense.Jim Jarmusch has been the cinema's deadpan poet of lives in transit, from his breakthrough feature Stranger Than Paradise (1984) to Broken Flowers (2005). Limits of Control pretty much consists of deadpan and transit as it follows--make that contemplates--the mission of an enigmatic hitman through some picturesque but sparsely populated corners of Spain. Whom this "Lone Man" (Isaach De Bankolé) is supposed to kill and why are matters not shared with the viewer. Neither is the content of the various minuscule messages Lone Man periodically receives, reads, then swallows. Presumably they cue the next stage of his itinerary, which includes encounters with John Hurt as a guitar-toting philosophe who disdains the word "bohemian," Tilda Swinton as a platinum-blonde-wigged femme ! fatale emulating Rita Hayworth in The Lady from Shanghai (and r eminding us that that glorious movie made no sense either), and Pas de la Huerta as a young woman called, with incontrovertible aptness, "Nude." Throughout, De Bankolé's magnificent carven-ebony features register little, not even exasperation that every conversation begins with someone saying to Lone Man, "You don't speak Spanish, do you?"--in Spanish.

Most of the little that's said in Limits of Control is stuff like "Everything is subjective ... Reality is arbitrary ... Life is a handful of dust" (though that gets translated as "Life is a handful of dirt"). You've gathered by now that no way is this a thriller, although it teases against the outline of one. Its hipster self-consciousness includes name-dropping (Eliot, Rimbaud, Hitchcock; the title is from William Burroughs), homage (Citizen Kane, Contempt, De Chirico), and quite a bit of cutting from paintings to actual scenes that resemble them, and vice versa. It's all impeccably shot by Christo! pher Doyle, who knows just how to light De Bankolé and his dark monochrome outfits against dark monochrome backgrounds, and make us glad he does. Otherwise, Limits of Control pales in comparison to Jarmusch's other film centered on a taciturn black assassin, Ghost Dog: The Way of the Samurai (1999), with Forest Whitaker. There the minimalist narrative took on an aura of ritual, devotion, and genuine mystery. The rituals being observed in Limits of Control feel empty and played out. --Richard T. Jameson

Disney Nature Earth

  • An epicstory of adventure, starring some of the most magnificent andcourageous creatures alive, awaits you in EARTH. Disneynature bringsyou a remarkable story of three animal families on a journey across ourplanet -- polar bears, elephants and humpback whales. Filmed withspectacular clarity and beauty, EARTH is both majestic and intimate asit captures rare footage of nature's wildest and most elus
Where do we come from? Who created us? Why are we here? These questions have puzzled us since the dawn of time, but when it became apparent to Jon Stewart and the writers of The Daily Show that the world was about to end, they embarked on a massive mission to write a book that summed up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture -- all in a tome of 238 pages with lots of color photos, graphs and charts. !

After two weeks of hard work, they had their book. EARTH (The Book) is the definitive guide to our species. With their trademark wit, irreverence, and intelligence, Stewart and his team posthumously answer all of life's most hard-hitting questions, completely unburdened by objectivity, journalistic integrity, or even accuracy.The long-awaited new novel by the award-winning, bestselling author of Startide Rising and The Uplift War--an epic novel set fifty years from tomorrow, a carefully-reasoned, scientifically faithful tale of the fate of our world. "One hell of a novel . . . has what sci-fi readers want these days; intelligence, action, and an epic scale".--Isaac Asimov's Science Fiction Magazine. Line drawings.In the best-selling tradition of Smithsonian Animal, this extraordinary survey of our planet provides unrivaled insight into the forces and processes that formed our environment and which continue to influence its evolution. With thousands of breathtaking! photographs and unique visual catalogues of the features and ! phenomen a that take place on Earth -- such as rocks, minerals, and mountains to tropical rain forests and the different types of clouds -- Earth contains the most up-to-date ideas on how our world works, a compelling review on the health of the planet, and unbelievable images of the world's most stunning features.A visual odyssey that will change the way we see our planet, this remarkable book, companion to the acclaimed Discovery Channel/ BBC series, is an enduring and awe-inspiring record of one of the most ambitious natural history projects ever undertaken. Using the latest aerial surveillance, state-of-the-art cameras, and high definition technology, the creators of Planet Earth have assembled more than 400 stunning photographs of wondrous natural landscapes from around the globe, including incredible footage of the rarely spotted, almost mythical creatures that live in these habitats. Many of the images reveal inaccessible places that few have seen and record animal beha! vior that has never been filmed or photographed before. With the help of this highly advanced technology and the world's premier wildlife photographers, the book takes us on a spectacular journey from the world's greatest rivers and impressive gorges, to its mightiest mountains, hidden caves and caverns, and vast deserts. Planet Earth captures breathtaking sequences of predators and their prey, lush vistas of forests viewed from the tops of towering trees, the oceans and their mysterious creatures viewed from beneath the surface, and much more--in a magnificent adventure that brings unknown wonders of the natural world into our living rooms.
Copub: BBC Worldwide Americas Embraced worldwide as key spiritual teachers of our times, the Pleiadians are back, with another bold and controversial look at our highest purpose on Earth. Earth: Pleiadian Keys to the Living Library is their handbook to inspired living, calling on us to restore and return value! to the human being, and to recognize the Goddess energies and! the pow er of blood as connections to our DNA and our heritage.

Using wit, wisdom, and deep compassion, they entice us to explore the corridors of time through the concept of the Game Masters; to awaken the crucial codes for multidimensional perspective; and to redream the Living Library of Earth. Their teachings are significantly arranged in twelve chapters to trigger a deeper understanding of our ancestral lineage. Earth probes the memories hidden deep within us to reveal our crucial roles in the transformational process unfolding in our times.An epic story of adventure, starring some of the most magnificent and courageous creatures alive, awaits you in EARTH. Disneynature brings you a remarkable story of three animal families on a journey across our planet -- polar bears, elephants and humpback whales. Filmed with spectacular clarity and beauty, EARTH is both majestic and intimate as it captures rare footage of nature's wildest and most elusive animals. From! the landmark Disneynature collection, EARTH is an astonishing and heartwarming film filled with adventure, suspense and humor that will take your breath away.

A nature documentary compiled from the vast footage of the BBC's and The Discovery Channel's Planet Earth series and produced by award-winning British producer and director Alastair Fothergill and Mark Linfield, Earth is the first nature film from the newly formed Disneynature--a Disney independent film label dedicated to bringing high impact wildlife and environmental films to theaters. James Earl Jones narrates this US version of the 96-minute documentary film (the English and German version are narrated by Patrick Stewart and Ulrich Tukur, respectively) which follows families of arctic polar bears, African elephants, and humpback whales for an entire year. The film tracks the animals' migrations across the globe and through some of the harshest terrains and climates on earth, pointing ou! t in a factual and remarkably non-political way the negative e! ffects o f global warming and habitat destruction on these animals and the planet as a whole. Selected from the over 4,000 days of cinematography that went into the making of Planet Earth, every image is breathtakingly spectacular (especially the first-ever aerial footage of Mount Everest) and Jones' concise narration is engaging and packed with information. What makes this film different from Planet Earth, besides the obvious shorter run-time, is the sense of story that permeates this film. While children and others disinclined toward factual documentaries or nature films might find Planet Earth overly long and somewhat dry, Earth views more like an entertainingly touching story about several animal families. The first story begins with an adorable look at two 2-month-old polar bears and their first encounter with the snow and ice outside their den. Viewers of all ages will raptly follow their long trek with their mother across the ice to the water's edge! to find food. Danger looms in many places and the polar bears' father's desperate attempts to find food on the ice turn perilous when he ends up stranded in the icy water and is forced to swim to shore where he's outnumbered by fiercely protective walruses. Footage of over 42 kinds of strange and beautiful New Guinea birds of paradise is rich with their breathtaking sounds and colors as well as the trees, fungi, flowers, and plants of tropical rainforest they inhabit. In stark contrast to the moisture-rich tropical rainforests that cover a mere 3% of the earth's surface, but support about 50% of the planet's animals and plants, are the dry lands of the Kalahari desert of South Africa where we meet the African elephants. The elephants' epic quest for food and water leads a mother elephant and her baby across vast prairies, savannahs, grasslands, and barren desert to inland deltas and water holes where they are forced into a tense and fragile alliance with a variety of other! animals including their natural predators. Frighteningly real! (though not gory) footage of lions attacking the elephants may well scare or disturb young children and the faint of heart, but it serves as a poignant reminder of the natural circle of life. The humpback whales' long migration across half the globe is similarly fraught with danger, yet full of underwater beauty, just as the Adélie penguins' life in one of the earths' most inhospitable lands also features the unexpected beauty of the striking Aurora Australis lightshow. What tracking a year in the life of all these amazing animals demonstrates is not only the exceptional beauty and strikingly harsh realities of life in the wild, but also the resilience of earth's creatures. (Ages 5 and older) --Tami Horiuchi

Big Trouble

  • The laughs come fast and furious as Tim Allen (JOE SOMEBODY, GALAXY QUEST) and Rene Russo (SHOWTIME, THE THOMAS CROWN AFFAIR) star in a film from Barry Sonnenfeld, director of GET SHORTY and MEN IN BLACK. Based on humorist Dave Barry's best-selling first novel, BIG TROUBLE follows the comedic chaos created when a mysterious suitcase that threatens the security of Miami changes the lives of a d
BIG TROUBLE - DVD MovieThe frantic pacing of Big Trouble is surely intentional, but the movie leaves you wanting more of... something. Not more characters--it's got plenty of those--but more room for them to breathe in a top-heavy plot that recalls Get Shorty (also directed by Barry Sonnenfeld) without reaching those heights of ingenuity. Based on the bestseller by syndicated Miami Herald columnist Dave Barry, this Miami-based mayhem bears the distinct imprint of Barry's humo! r, in which absurdities pile up like rush-hour traffic, involving a former journalist (Tim Allen) connected by circumstance to a wealthy schemer (Stanley Tucci), his bored wife (Rene Russo), Russian mobsters, mismatched cops (Janeane Garofalo, Patrick Warburton), power-crazed FBI agents (Heavy D, Omar Epps), a Frito-loving drifter (Jason Lee), cretinous criminals (Tom Sizemore, Johnny Knoxville), and a gigantic toad that shoots hallucinogenic saliva. Culminating in an airport bomb smuggling (prompting the film's delayed release after the tragedy of September 11, 2001), Big Trouble needs the brilliant cohesion of Dr. Strangelove; what it gets is Sonnenfeld's knack for sustained chaos, and a few decent belly laughs. --Jeff Shannon
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Gulliver's Travels (Two-Disc + Gulliver's Fun Pack)

  • Jack Black (Kung Fu Panda, School of Rock) is larger than life in this epic comedy-adventure based
  • When a shipwreck lands a lowly mailroom clerk named Gulliver (Black) on the fantastical island of
  • Gulliver?s tall tales and heroic deeds win the hearts of the tiny Lilliputians, but when he loses
  • Through it all, Gulliver may just learn that it?s how big you are on the inside that counts.
From the preeminent prose satirist in the English language, a great classic recounting the 4 remarkable journeys of ship's surgeon Lemuel Gulliver. For children it remains an enchanting fantasy; for adults, a witty parody of political life in Swift's time and a scathing send-up of manners and morals in 18th-century England.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Ki! ndle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Through the eyes of Lemuel Gulliver, Swift’s unforgettable satire takes readers into worlds formerly unimagined. Visit four strange and remarkable lands: Lilliput, where Gulliver seems a giant among a race of tiny people; Brobdingnag, the opposite, where the natives are giants and Gulliver puny; the ruined yet magical country of Laputa; and the home of the Houyhnhnms, gentle horses far superior to the ugly humanoid Yahoos who share their universe.

To say this is a classic of political and social satire is unfair, because Swift INVENTED the genre with this raucous novel. The wayward traveler - Lemuel Gulliver - ends up on a series of bizarrely populated islands. First he is a giant among little p! eople, but then sees the situation reversed when he's surround! ed by gi ants twelve times his size. Next he finds himself in the clouds, in a society of devoted but ultimately hapless mathematicians. Lastly, his journey brings him to an island where incredibly noble horses must deal with a race of uncouth, reviled ape-men: the Yahoos. The satire is thick and unrelenting, but certainly not specific to the time and situation when Swift wrote it, and thus it has been read and beloved for centuries.To say this is a classic of political and social satire is unfair, because Swift INVENTED the genre with this raucous novel. The wayward traveler - Lemuel Gulliver - ends up on a series of bizarrely populated islands. First he is a giant among little people, but then sees the situation reversed when he's surrounded by giants twelve times his size. Next he finds himself in the clouds, in a society of devoted but ultimately hapless mathematicians. Lastly, his journey brings him to an island where incredibly noble horses must deal with a race of uncouth, rev! iled ape-men: the Yahoos. The satire is thick and unrelenting, but certainly not specific to the time and situation when Swift wrote it, and thus it has been read and beloved for centuries.Jack Black (Kung Fu Panda, School of Rock) is larger than life in this epic comedy-adventure based on the classic tale. When a shipwreck lands a lowly mailroom clerk named Gulliver (Black) on the fantastical island of Lilliput, he transforms into a giant â€" in size and ego. Gulliver’s tall tales and heroic deeds win the hearts of the tiny Lilliputians, but when he loses it all and puts his newfound friends in peril, Gulliver must find a way to undo the damage. Through it all, Gulliver may just learn that it’s how big you are on the inside that counts. Gulliver's Travels is about as marginal as the trailers suggest; it's a tepidly entertaining, irreverent, and sometimes crass comedy starring Jack Black that takes some gigantic liberties with Jonathan Swift's classic stor! y about the land of Lilliput and its tiny inhabitants. Mailroo! m loser Lemuel Gulliver (Jack Black) is stuck in a dead-end job and living a dead-end life until the promotion of a fellow employee spurs him to speak up and take action. While a trip to the Bermuda Triangle may not be the date with crush Darcy Silverman (Amanda Peet) that Gulliver had envisioned, the voyage promises to take his career in a new direction, and it eventually delivers him to a kingdom known as Lilliput, which is populated by miniature people. After initially being captured and locked away in a dungeon, Gulliver wins the hearts of the Lilliputian people by saving their princess (Emily Blunt) from being kidnapped and rescuing their king (Billy Connolly) from a fire in a most unorthodox and unsavory way, and he quickly finds himself in a position of gigantic influence. Problem is, Gulliver is completely unprepared and unqualified for his new leadership roles, both on the personal and professional levels, and his ineptitude puts himself and all of Lilliput in extreme dange! r. Grade-school humor abounds in this fairly mindless film, something Jack Black always excels at, but viewers will find that the chuckles and the message about the power of believing in oneself fade equally as fast as the credits roll. (Ages 9 and older) --Tami Horiuchi

Fantastic Mr. Fox: Movie Tie-in Edition

  • ISBN13: 9780142414552
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
New look for this backlist classic favourite, read by Roald Dahl, himself. Boggis, Bunce and Bean are just about the nastiest and meanest three farmers you could meet -- and they hate Mr Fox! They are determined to catch him, and lie outside his hole, ready to shoot, starve or dig him out. Of course, fantastic Mr Fox has other plans. Tale of a family hero.In the tradition of The Adventures of Peter Rabbit, this is a "garden tale" of farmer versus vermin, or vice versa. The farmers in this case are a vaguely criminal team of three stooges: "Boggis and Bunce and Bean / One fat, one short, one lean. / These horrible crooks / So different in looks / Were nonetheless equally mean." Whatever t! heir prowess as poultry farmers, within these pages their sole objective is the extermination of our hero--the noble, the clever, the Fantastic Mr. Fox. Our loyalties are defined from the start; after all, how could you cheer for a man named Bunce who eats his doughnuts stuffed with mashed goose livers? As one might expect, the farmers in this story come out smelling like ... well, what farmers occasionally do smell like.

This early Roald Dahl adventure is great for reading aloud to three- to seven-year-olds, who will be delighted to hear that Mr. Fox keeps his family one step ahead of the obsessed farmers. When they try to dig him out, he digs faster; when they lay siege to his den, he tunnels to where the farmers least expect him--their own larders! In the end, Mr. Fox not only survives, but also helps the whole community of burrowing creatures live happily ever after. With his usual flourish, Dahl evokes a magical animal world that, as children, we alwa! ys knew existed, had we only known where or how to look for i! t. (G reat read aloud for any age; written at a 9- to 12-year-old reading level)