Monday, November 7, 2011

The Beatles - A Hard Day's Night (Guitar Recorded Version)

  • 64 Pages
  • Includes 13 Songs
  • TAB
  • Artist: The Beatles
A Hard Day's Night: Music on Film Series is the story of the making of the greatest rock-and-roll movie of all time. Beginning with introductions to the film's stars - chronicling their rise from a raggedy teenage skiffle band to the biggest pop act in the world - the book goes on to tell how the American film company United Artists wanted to make a quick, low-budget movie starring the Fab Four so its record division could put out a motion picture soundtrack album full of new Beatles songs, in order to allow the studio to cash in on the incredible wave of Beatlemania then sweeping the planet. Director Richard Lester, producer Walter Shenson, and screenwriter Alun Owen were hired to churn out just another cheap exploitation film, but instead used the opportunity to create a startlingly fresh and original movie that brok! e new ground both in subject matter (instead of simply following genre tradition and sticking the band in some corny made-up plot, they had the Beatles play themselves in a narrative based on their own incredible real-life experiences) and in form (Lester's inspired, surrealist approach to the film's musical numbers kicked off the entire music video revolution). Covered is the film's frantic six-week shoot, the lively recording sessions that resulted in seven great new Beatles songs, and how both the film and the album met with great critical and popular success.

CHRIS O'DELL WASN'T FAMOUS. SHE WASN'T EVEN ALMOST FAMOUS. BUT SHE WAS THERE.

She was in the studio when the Beatles recorded The White Album, Abbey Road, and Let It Be, and when Paul recorded "Hey Jude," she sang in the chorus.

She was at Ringo's kitchen table when George Harrison said, "You know, Ringo, I'm in love with your wife." And Ringo repl! ied, "Better you than someone we don't know."

She typed t! he lyric s to George Harrison's All Things Must Pass. She lived with George and Pattie Boyd at Friar Park, developed a crush on Eric Clapton, and unwittingly got involved in the famous love story between Eric and Pattie.

She's the subject of Leon Russell's "Pisces Apple Lady," a song he wrote to woo her. Other rock legends with whom she was intimate include Ringo, Mick Jagger, and Bob Dylan.

She worked with the Rolling Stones as their personal assistant on their infamous 1972 tour and did a drug run for Keith Richards.

She's "the woman down the hall" in Joni Mitchell's song "Coyote" about a love triangle on Bob Dylan's Rolling Thunder Revue tour. She's the "mystery woman" pictured on the back of the Rolling Stones album Exile on Main Street. She's the "Miss O'Dell" of George Harrison's song about her.

Miss O'Dell is the remarkable story of an ordinary woman who lived the dream of millions -- to be part of rock royalty's trusted inner circle. I! llustrated with private photographs and jam-packed with intimate anecdotes, Miss O'Dell is a backstage pass to some of the most momentous events in rock history.Our matching folio to The Beatles' timeless and glorious third album features note-for-note transcriptions with tab for these 13 Lennon & McCartney jewels: And I Love Her * Anytime at All * Can't Buy Me Love * A Hard Day's Night * I Should Have Known Better * I'll Be Back * I'll Cry Instead * I'm Happy Just to Dance with You * If I Fell * Tell Me Why * Things We Said Today * When I Get Home * You Can't Do That.

Hank and Mike

Hellboy 2 The Golden Army 13 Inch Deluxe Action Figure Angel of Death

  • Made by Mezco in 2008
  • Size: 8.5 inch
  • For ages 8+
HELLBOY II:GOLDEN ARMY - Blu-Ray MovieThe feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself str! uck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larger image)














After an ancient truce existing between humankind and the invisible realm of the fantastic is broken, hell on Earth is ready to erupt. A ruthless leader who treads the world above and the one below defies his bloodline and awakens an unstoppable army of creatures. Now, it's up to the planet's toughest, roughest superhero to battle the merciless dictator and his marauders. He may be red. He may be horned. He may be misunderstood. But when you need the job done right, it's time to call Hellboy. Along with his expanding team in the Bureau for Paranormal Research and Defense - pyrotechnic girlfriend Liz Sherman, aquatic empathy Abe Sapien, and protoplasmic mystic Johann - the BPRD will travel between the surface strata and the unseen magical one, where creatures of ! fantasy become corporeal. And Hellboy, a creature of two world! s who's accepted by neither, must choose between the life he knows and an unknown destiny that beckons him.From the mind of visionary director Guillermo del Toro, this hauntingly designed 13" tall deluxe figure features an eyeless face, razor-sharp teeth, and poseable, eye-adorned wings that span approximately 10"! Intricately sculpted with a remarkable attention to detail, a must-have collectible for every Hellboy fan. Window box packaging.

The Evil Dead [Blu-ray]

  • EVIL DEAD BLU-RAY (BLU-RAY DISC)
A movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves up a nonstop parade of blood,! gore, and vicious sword-bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. --Jeff ShannonAll primitive screwheads, listen up! Cult superstar Bruce Campbell (Evil Dead) reunites with director Sam Raimi (Drag Me to Hell, Spider-Man) to battle the deadly forces of evil in Army of Darkness - the outrageous, effects-fueled action epic that will make you scream with fear and laughter. Forced to lead a makeshift Dark Ages army against the demonic Deadites, who possess all the deadly magic of hell, the shotgun-toting, chainsaw-armed, reluctant 20th century time traveler Ash (Campbell) must save the living from the dead, rescue his medieval girlfriend and! get back to his own time. One of the most popular horror com! edies of all time, now digitally remastered and loaded with bonus features, Army of Darkness Screwhead Edition is drop-dead fun!A movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves up a nonstop p! arade of blood, gore, and vicious sword-bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. --Jeff ShannonAll primitive screwheads, listen up! Cult superstar Bruce Campbell (Evil Dead) reunites with director Sam Raimi (Drag Me to Hell, Spider-Man) to battle the deadly forces of evil in Army of Darkness - the outrageous, effects-fueled action epic that will make you scream with fear and laughter. Forced to lead a makeshift Dark Ages army against the demonic Deadites, who possess all the deadly magic of hell, the shotgun-toting, chainsaw-armed, reluctant 20th century time traveler Ash (Campbell) must save the living from the dead, rescue his medieval! girlfriend and get back to his own time. One of the most pop! ular hor ror comedies of all time, now digitally remastered and loaded with bonus features, Army of Darkness Screwhead Edition is drop-dead fun!A movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves! up a nonstop parade of blood, gore, and vicious sword-bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. --Jeff ShannonTwo Discs Of Mind-Blowing Mayhem From The Director Of THE EVIL DEAD And SPIDER-MAN! The one and only Bruce Campbell stars as Ash, a hapless housewares clerk time-warped back to the Dark Ages by the demonic power of the Necronomicon. Now armed with only a '73 Oldsmobile, his trusty chainsaw and a 12-gauge double-barreled S-Mart shotgun, our knuckleheaded hero must battle vicious she-bitches, a diabolical Evil Ash and the relentless hordes of the medieval dead in the most outrageously spectacular horror comedy every made. Get ready ! for some sugar, baby: This is ARMY OF DARKNESS - THE BOOMSTICK! EDITION ! By overwhelming fan demand, this groovy double-disc set presents the U.S. Theatrical Version complete with its notorious original ending and the Director's Cut with over 15 minutes of additional footage. There's also deleted scenes, a wild audio commentary with Bruce Campbell, writer/director Sam Raimi and co-writer Ivan Raimi, an exclusive featurette, storyboards and much more. So listen up, you primitive screwheads: This is ARMY OF DARKNESS like you've never seen it before! Includes an 8-Page Collector's Booklet with all-new liner notes by star Bruce Campbell A movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead! flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves up a nonstop parade of blood, gore, and vicious sword-bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. --Jeff ShannonA movie that only true horror buffs could love, Army of Darkness is officially part 3 in th! e wild and wacky Evil Dead trilogy masterminded by the ! perverse ly inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves up a nonstop parade of blood, gore, and vicious sword-bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Rai! mi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. --Jeff ShannonA movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie clich! é as he serves up a nonstop parade of blood, gore, and viciou! s sword- bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. --Jeff ShannonBound in human flesh, inked in blood, and amazingly hard to pronounce, the ancient "Necronomicon," or "Book of the Dead," transports a department store clerk and his '73 Oldsmobile into England's Dark Ages to face legions of undead beasts in director Sam Raimi's (A Simple Plan) outrageously hilarious sword-and-sorcery epic starring Bruce Campbell (The Evil Dead).A movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as e! xecutive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves up a nonstop parade of blood, gore, and vicious sword-bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grow! s tiresome, and fortunately this madcap movie quits while it's! ahead. --Jeff ShannonThe Evil Dead, director Sam Raimi's (Darkman, Quick & The Dead, Army Of Darkness) first feature film, is a true cult classic in every sense of the word. Originally released in 1982, The Evil Dead tells the tale of a group of friends who go to a cabin in the woods, where they find an unspeakable evil lurking in the forest. They find the Necronomicon, the Book Of The Dead, and the taped translation of the text. Once the tape is played, the evil is released. One by one, the teens become deadly zombies. With only one remaining (Bruce Campbell), it is up to him to survive the night and battle The Evil Dead.In the fall of 1979, Sam Raimi and his merry band headed into the woods of rural Tennessee to make a movie. They emerged with a roller coaster of a film packed with shocks, gore, and wild humor, a film that remains a benchmark for the genre. Ash (cult favorite Bruce Campbell) and four friends arrive at a backwoods cabin for a vacation, where they find a tap! e recorder containing incantations from an ancient book of the dead. When they play the tape, evil forces are unleashed, and one by one the friends are possessed. Wouldn't you know it, the only way to kill a "deadite" is by total bodily dismemberment, and soon the blood starts to fly. Raimi injects tremendous energy into this simple plot, using the claustrophobic set, disorienting camera angles, and even the graininess of the film stock itself to create an atmosphere of dread, punctuated by a relentless series of jump-out-of-your-seat shocks. The Evil Dead lacks the more highly developed sense of the absurd that distinguish later entries in the series--Evil Dead 2 and Army of Darkness--but it is still much more than a gore movie. It marks the appearance of one of the most original and visually exciting directors of his generation, and it stands as a monument to the triumph of imagination over budget. --Simon Leake

For Roseanna : Widescreen Edition

  • Widescreen
This film centers on Marcello, a trattoria proprietor in an Italian village who will stop at nothing to make sure his beloved but ailing wife, Roseanna, realizes her dream of being buried at the local cemetary.Congratulations to director Paul Weiland for taking a stupid premise and creating a truly romantic look at marriage. Mercedes Ruehl is dying of a weak heart, and her husband, Jean Reno, hopes to keep his promise to bury her in their tiny Italian village, despite a lack of room in the cemetery. While he is trying to keep his friends and neighbors out of the local bone yard, she is quietly seeking candidates for his next wife. Many movies treat marriage as a death sentence. For Roseanna looks past daily bickering to the enduring love and warm companionship of well-matched lovers. Clearly defined characters, a disarming dénouement, and passionate performances transform t! he silly plot into a playful valentine. --Rochelle O'GormanBeautiful is a dangerous thing to be when one is unprotected.

For seven years, Abigail has been a slave in the Visibullis house. With a Hebrew mistress and a Roman master, she has always been more family than servant . . . until their son returns to Jerusalem after his years in Rome. Within a few months Jason has taken her to his bed and turned her world upsidedown. Maybe, given time, she can come to love him as he says he loves her. But how does she open her heart to the man who ruined her?

Israel's unrest finds a home in her bosom, but their rebellion tears apart her world. Death descends with Barabbas's sword, and Abigail is determined to be there when the criminal is punished. But when she ventures to the trial, Barabbas is not the one the crowd calls to crucify. Instead, it is the teacher her master and Jason had begun to follow, the man from Nazareth that some call the Son of God .! . .

Born free, made a slave, married out of her bo! nds, Abi gail never knows freedom until she feels the fire of a stray drop of blood from a Jewish carpenter. Disowned by Israel, despised by Rome, desired by all, she never knows love until she receives the smile of a stoic Roman noble.Beautiful is a dangerous thing to be when one is unprotected.

For seven years, Abigail has been a slave in the Visibullis house. With a Hebrew mistress and a Roman master, she has always been more family than servant . . . until their son returns to Jerusalem after his years in Rome. Within a few months Jason has taken her to his bed and turned her world upsidedown. Maybe, given time, she can come to love him as he says he loves her. But how does she open her heart to the man who ruined her?

Israel's unrest finds a home in her bosom, but their rebellion tears apart her world. Death descends with Barabbas's sword, and Abigail is determined to be there when the criminal is punished. But when she ventures to the trial, Barabbas is not the on! e the crowd calls to crucify. Instead, it is the teacher her master and Jason had begun to follow, the man from Nazareth that some call the Son of God . . .

Born free, made a slave, married out of her bonds, Abigail never knows freedom until she feels the fire of a stray drop of blood from a Jewish carpenter. Disowned by Israel, despised by Rome, desired by all, she never knows love until she receives the smile of a stoic Roman noble.Congratulations to director Paul Weiland for taking a stupid premise and creating a truly romantic look at marriage. Mercedes Ruehl is dying of a weak heart, and her husband, Jean Reno, hopes to keep his promise to bury her in their tiny Italian village, despite a lack of room in the cemetery. While he is trying to keep his friends and neighbors out of the local bone yard, she is quietly seeking candidates for his next wife. Many movies treat marriage as a death sentence. For Roseanna looks past daily bickering to the enduring lov! e and warm companionship of well-matched lovers. Clearly defin! ed chara cters, a disarming dénouement, and passionate performances transform the silly plot into a playful valentine. --Rochelle O'GormanHow can she love the king of kings without forsaking her Lord of lords?

Kasia grew up in a poor Jewish home with more siblings than luxuries. But when a chance encounter forces her to the palace of Xerxes, she becomes a concubine to the richest man in the world. She alone, of all Xerxes' wives, loves the man beneath the crown. She alone, of all his wives, holds the heart of the king of kings.

Traveling with Xerxes through Europe as he mounts a war against Greece, Kasia knows enemies surround her, but they're not the Spartans or Athenians. The threat lies with those close to the king who hate her people. She determines to put her trust in Jehovahâ€"even if it costs her her marriage.

Years of prayers are answered when Kasia's childhood friend arrives at the palace after the war, but even as she determines to s! ee Esther crowned in place of the bloodthirsty former queen, she knows the true battle is far from over. How far will her enemies go to see her undone?

Combining the biblical account of Esther with Herodotus's Histories, Jewel of Persia is the story of a love that nearly destroys an empire . . . and the friendship that saves a nation.How can she love the king of kings without forsaking her Lord of lords?

Kasia grew up in a poor Jewish home with more siblings than luxuries. But when a chance encounter forces her to the palace of Xerxes, she becomes a concubine to the richest man in the world. She alone, of all Xerxes' wives, loves the man beneath the crown. She alone, of all his wives, holds the heart of the king of kings.

Traveling with Xerxes through Europe as he mounts a war against Greece, Kasia knows enemies surround her, but they're not the Spartans or Athenians. The threat lies with those close to the king who hate her people. She dete! rmines to put her trust in Jehovahâ€"even if it costs her her ! marriage .

Years of prayers are answered when Kasia's childhood friend arrives at the palace after the war, but even as she determines to see Esther crowned in place of the bloodthirsty former queen, she knows the true battle is far from over. How far will her enemies go to see her undone?

Combining the biblical account of Esther with Herodotus's Histories, Jewel of Persia is the story of a love that nearly destroys an empire . . . and the friendship that saves a nation.On her 12th release and Motema debut, renowned jazz vocalist Roseanna
Vitro applies her masterful storytelling panache to the music of Randy
Newman, one of America s most prolific and beloved composers.
Newman s wry portraits of life in America and beyond take on fresh
dimensions via the fertile imaginations of Vitro, her stellar pianist/arranger
Mark Soskin, rising-star violinist Sara Caswell, and a top tier band.
Follows successful tributes to Ray Charles (Catchin Some Rays,! 1997) and
Bill Evans (Conviction, 2001).Congratulations to director Paul Weiland for taking a stupid premise and creating a truly romantic look at marriage. Mercedes Ruehl is dying of a weak heart, and her husband, Jean Reno, hopes to keep his promise to bury her in their tiny Italian village, despite a lack of room in the cemetery. While he is trying to keep his friends and neighbors out of the local bone yard, she is quietly seeking candidates for his next wife. Many movies treat marriage as a death sentence. For Roseanna looks past daily bickering to the enduring love and warm companionship of well-matched lovers. Clearly defined characters, a disarming dénouement, and passionate performances transform the silly plot into a playful valentine.

Big Lebowski The Dude Black & White Photo Mens T-shirt S

Sunday, November 6, 2011

Black Irish

Hostel (Unrated Widescreen Edition)

  • 4 commentary tracks, including Director Eli Roth, Quentin Tarantino, and Harry Knowles from Aint It Cool News
  • "Hostel Dissected" - Behind the scenes featurette
  • "Kill the Car!" Multi-angle interactive feature
Well-made for the genre--the excessive-skin-displayed-before-gruesome-bloody-torture-begins genre--Hostel follows two randy Americans (Jay Hernandez, Friday Night Lights, and Derek Richardson, Dumb and Dumberer: When Harry Met Lloyd) and an even randier Icelander (Eythor Gudjonsson) as they trek to Slovakia, where they're told beautiful girls will have sex with anyone with an American accent. Unfortunately, the girls will also sell young Americans to a company that offers victims to anyone who will pay to torture and murder. To his credit, writer/director Eli Roth (Cabin Fever) takes his time setting things up, laying a realistic foundation that! makes the inevitable spilling of much blood all the more gruesome. The sardonic joke, of course, is that Americans are worth the most in this brothel of blood because everyone else in the world wants to take revenge upon them. This dark humor and political subtext help set Hostel above its more brainless sadistic compatriots, like House of Wax or The Devil's Rejects. In general, though, there's something lacking; horror used to suggest some threat to the spirit--today's horror can conceive of nothing more troubling than torturing the flesh. For aficionados, Hostel features a nice cameo by Takashi Miike, director of bloody Japanese flicks like Audition and Ichi the Killer. --Bret Fetzer