Monday, December 5, 2011

Goody Simple Styles Modern Updo Maker

  • Simple styles modern updo help helps create a 1/2 for full frech twist
  • No need for additional pins or clips
  • For all hair types
  • Assorted colors, dark and light
  • 1 Piece count
Sassy, sexy, and utterly outrageous, this comedy treat received outstanding critical acclaim and a Golden Globe Award nomination! Saucy suburban housewife Loli is furious when she discovers her playboy husband is a wild womanizer who has been cheating on her left and right for years! But things take an unusually funny turn when the van of a tough-talking, tender-hearted woman named Marijo breaks down in front of Loli's house! From then on, expect the hilariously unexpected as Marijo and Loli's relationship develops into much more than just a friendship ... and between the two of them, they devise the perfect revenge!Josiane Balasko wrote, directed, and costars in this lightweight French come! dy about a lesbian (Balasko) who falls for a housewife (Victoria Abril) seething over the philandering of her husband (Alain Chabat). The latter is outraged about his spouse's same-sex affair, but over time, the two rivals make peace with the situation--causing Abril's character to throw a hissy fit of her own. This is a cute film that becomes, thank goodness, more interesting as it goes along, challenging comfortable notions about love as a haven from other challenges to the heart. --Tom KeoghSassy, sexy, and utterly outrageous, this comedy treat received outstanding critical acclaim and a Golden Globe Award nomination! Saucy suburban housewife Loli is furious when she discovers her playboy husband is a wild womanizer who has been cheating on her left and right for years! But things take an unusually funny turn when the van of a tough-talking, tender-hearted woman named Marijo breaks down in front of Loli's house! From then on, expect the hilariously unexpected as M! arijo and Loli's relationship develops into much more than jus! t a frie ndship ... and between the two of them, they devise the perfect revenge!Josiane Balasko wrote, directed, and costars in this lightweight French comedy about a lesbian (Balasko) who falls for a housewife (Victoria Abril) seething over the philandering of her husband (Alain Chabat). The latter is outraged about his spouse's same-sex affair, but over time, the two rivals make peace with the situation--causing Abril's character to throw a hissy fit of her own. This is a cute film that becomes, thank goodness, more interesting as it goes along, challenging comfortable notions about love as a haven from other challenges to the heart. --Tom KeoghGoody Simple Styles is a line of easy to use hair accessories that allow women to create trend-right looks at home, on their own.

Sunday, December 4, 2011

The Hangover (Rated Single-Disc Edition)

  • Condition: New
  • Format: DVD
  • Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; Widescreen; NTSC
From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Directo! r Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of hi! s first child than to hitch a ride with Ethan. If the situatio! n is som ewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyFrom The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach ! Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve. Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, w! ho's a version of every character Galifianakis has played to d! ate--slo venly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyDue Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Ga! lifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic! moments are not--though by halfway though the trip, viewers m! ay wonde r if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyMovie Summary A first time expectant father has an adventurous trip with an aspiring actor while travelling cross country to be with his expecting wife. DVD Details * Actor(s): Robert Jr. Downey * Format: Widescreen * Soundtrack: English * Additional: Additional Footage Behind the Scenes Include Digital Copy * Rating: R * MSRP: $35.99 * Release Date: 2 22 2011 * Number of Discs: 2A las vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures then must retrace their steps in order to find him. Studio: Warner Home Video Rele! ase Date: 12/15/2009 Starring: Bradley Cooper Heather Graham Run time: 100 minutes Rating: RIf you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're missing the groom-to-be.

The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilar! ious. Ed Helm (The Office), in addition to his memory, ! loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.

Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley

Saturday, December 3, 2011

The Last Good German

  • ISBN13: 9780446515528
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
 Now a Major Motion Picture The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. The Good German is a story of espionage, love, and murder, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice and what we mean by good and evil in times of peace and of ! war.
This compelling thriller is both a touching love story and a masterful portrayal of the struggle for geopolitical control of postwar Germany. Network correspondent Jake Geismar, who covered Berlin before the war, has returned to the devastated city, ostensibly to cover the Potsdam Conference but actually to find the woman he loves. Miraculously, Lena Brandt, Jake's wartime mistress, has survived. However, her mathematician husband is missing, and both the American and Russian intelligence services are hunting him. When the bullet-ridden body of an American soldier washes up on the shores of Potsdam in front of Jake's eyes just as Truman, Churchill, and Stalin convene the first postwar conference, Jake is plunged into a maelstrom of intrigue, corruption, and betrayal.

A brilliantly evoked portrait of a unique moment in history (the end of one war and the beginning of another), The Good German amply fulfills the promise shown by Jo! seph Kanon in his two earlier novels, Los Alamos and The Pro digal Spy. --Jane Adams

The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated, and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. When an American soldier's body is found in the Russian zone during the Potsdam Conference, Jake stumbles on the lead to a murder mystery. The Good German is a story of espionage and love, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice, and what we mean by good and evil in times of peace and of war.
Ein Kuss. Ein Foto. Ein Verrat. Aktuelles Thema: Cybermobbing Brandaktuell und ganz nah dran Knallhart und witzig zugleich, herzzerre! ißend und authentisch Parallelveröffentlichung des Hörbuchs bei DAV »Man könnte sagen, dass dies dieGeschichte eines Fotos ist. Wie es gemacht wurde und was passiert ist, nachdem alle, aber auch wirklich alle, es gesehen haben. Aber es ist auch die Geschichte von ganz vielen anderen Dingen. Von einem Jungen, der so gut aussieht, dasseinem der Atem stockt. Von besten Freundinnen - denen, die schon immer da waren und neuen, die wie aus dem Nichts heraus plötzlich da sind. Von braven Mädchen, bösen Jungs und allem dazwischen. Dies ist eine Liebesgeschichte. Also: Schaudir das Foto an, wenn du willst. Ich bin so viel mehr als das, was du siehst.« Seit Audrey den coolen Luke auf einer Party geküsst hat, kann sie an nichts anderes mehr denken als an: Luke, Luke, Luke ... Aber dann passiert es: Am nächstenTag in der Schule erntet sie hämische Blicke, Getuschel und Gekicher. Der Grund: Jemand hat heimlich ein Foto von Luke und ihr im Bett gemacht. Und dieses Foto wird v! on Handy zu Handy und von Computer zu Computer weitergeschickt! . Bis al le,aber auch wirklich alle, an der Schule es gesehen haben. Auch der Direktor. Auch ihre Eltern. Audrey hat nur noch einen Gedanken: Allen zu beweisen, dass sie keine Schlampe ist ... Ein packender Roman über ein sehr aktuelles Thema: Mobbingper Handy.Ein Kuss. Ein Foto. Ein Verrat. Aktuelles Thema: Cybermobbing Brandaktuell und ganz nah dran Knallhart und witzig zugleich, herzzerreißend und authentisch Parallelveröffentlichung des Hörbuchs bei DAV »Man könnte sagen, dass dies dieGeschichte eines Fotos ist. Wie es gemacht wurde und was passiert ist, nachdem alle, aber auch wirklich alle, es gesehen haben. Aber es ist auch die Geschichte von ganz vielen anderen Dingen. Von einem Jungen, der so gut aussieht, dasseinem der Atem stockt. Von besten Freundinnen - denen, die schon immer da waren und neuen, die wie aus dem Nichts heraus plötzlich da sind. Von braven Mädchen, bösen Jungs und allem dazwischen. Dies ist eine Liebesgeschichte. Also: Schaudir das Foto an, wenn d! u willst. Ich bin so viel mehr als das, was du siehst.« Seit Audrey den coolen Luke auf einer Party geküsst hat, kann sie an nichts anderes mehr denken als an: Luke, Luke, Luke ... Aber dann passiert es: Am nächstenTag in der Schule erntet sie hämische Blicke, Getuschel und Gekicher. Der Grund: Jemand hat heimlich ein Foto von Luke und ihr im Bett gemacht. Und dieses Foto wird von Handy zu Handy und von Computer zu Computer weitergeschickt. Bis alle,aber auch wirklich alle, an der Schule es gesehen haben. Auch der Direktor. Auch ihre Eltern. Audrey hat nur noch einen Gedanken: Allen zu beweisen, dass sie keine Schlampe ist ... Ein packender Roman über ein sehr aktuelles Thema: Mobbingper Handy.
Set in Berlin just after the end of World War II, a brilliant thriller about the end of one war and the beginning of another, by the bestselling author of Los Alamos.

Berlin, 1945. Jake Geismar, former Berlin correspondent for CBS, has managed to wangle one! of the coveted press slots for the Potsdam Conference. His as! signment : a series of articles on the American occupation of postwar Berlin. His personal agenda: to find Lena, the German mistress he left behind at the outbreak of the war. When he stumbles on a murder--an American soldier washed up on the shore of the conference grounds--he thinks he has found the key that will unlock his Berlin story. What he finds instead is a larger story of corruption and intrigue reaching deep into the heart of the occupation and a city not only physically but morally devastatated, where children scavenge for food in the rubble, sex can be had for a cigarette, and the black market is the only means of survival.

Berlin at zero hour is like nowhere else--a tragedy, and a feverish party after the end of the world. And nothing is simple--not the murder of a soldier and not any of the lives, American and German, that Jake encounters as he tries to solve it. More unsolvable still is the larger crime that hangs over everything in 1945, a crime so huge it! seems beyond punishment.

At once a murder mystery, a love story, and a riveting portrait of a unique time and place, The Good German is a historical thriller of the first rank.
Set in Berlin just after the end of World War II, a brilliant thriller about the end of one war and the beginning of another, by the bestselling author of Los Alamos.

Berlin, 1945. Jake Geismar, former Berlin correspondent for CBS, has managed to wangle one of the coveted press slots for the Potsdam Conference. His assignment: a series of articles on the American occupation of postwar Berlin. His personal agenda: to find Lena, the German mistress he left behind at the outbreak of the war. When he stumbles on a murder--an American soldier washed up on the shore of the conference grounds--he thinks he has found the key that will unlock his Berlin story. What he finds instead is a larger story of corruption and intrigue reaching deep into the heart of th! e occupation and a city not only physically but morally devast! atated, where children scavenge for food in the rubble, sex can be had for a cigarette, and the black market is the only means of survival.

Berlin at zero hour is like nowhere else--a tragedy, and a feverish party after the end of the world. And nothing is simple--not the murder of a soldier and not any of the lives, American and German, that Jake encounters as he tries to solve it. More unsolvable still is the larger crime that hangs over everything in 1945, a crime so huge it seems beyond punishment.

At once a murder mystery, a love story, and a riveting portrait of a unique time and place, The Good German is a historical thriller of the first rank.
“Only rarely does an autobiographical manuscript become a breathtaking thriller However, the novel of American emigrant Hal Marienthal maintains its tension on a high level from the first to the last page and is, at the same time, a time-specific document of a terrifying reality.”
â€"Walter G! ruenzweig, Vienna Standard

“A soul-riveting, heart-shattering personal account of the Holocaust, from the 1920’s to liberation under the Statue of Liberty. Absolutely spell-binding.”
â€"Kenneth Lincoln (UCLA), Men Down West, The Good Red Road, A Writer’s China

“Hal Marienthal writes with the assured rhythms of a gifted storyteller. This coming-of-age narrative carries us deep into the heart of Nazi Germany, where a wise child leads us through harrowing near-death tunnels into the expanse of a new life. Rich with cinematic vividness and the authenticity of a first-person witness, Good Germans makes a truly important contribution.”
â€"Elizabeth Rosner, The Speed of Light, Blue Nude

Germany 1929: Horst, son of Jewish parents, is six years old when he runs away from an orphanage. For three years the desperate little boy survives by sheer determination and with the help of ordinary citizens. Unintention! ally he witnesses the rise of Nazism on its most elemental lev! el.

Germany 1932: When Horst and his widowed father are reunited they accept proposed adoption plans by distant relatives in Chicago. The agonizing mechanism of getting Horst out of the country is the suspenseful core of the novel. Good Germans becomes an electrifying adventure story whose outcome remains uncertain until the book’s final page.

This highly detailed replica features a hollow wood handle with pull cord and bead, just like the authentic German stick grenades. Real metal parts were used in construction and the head of the grenade was stenciled with "VOR GEBRAUCH SPRENGKAPSEL EINSETZEN," (in English, "Before use, insert detonator") to add authentic details. This grenade is not an actual explosive device. It should be considered a collectible only. 13 5/8" overallAs the Cold War thaws, Devereaux--code name ""November""--confronts Double Eagle, the East German agent who nearly killed him years before, and learns of a totalitarian countercoup ! inside a reunified Germany. Reprint. AB. NYT.

Sounds Like a Plan

  • Find out in this party game that's all about giving outrageous advice, select a card containing a piece of advice that best fits the judge's chosen activity
  • 4 to 8 players
  • Reinforces creativity and imagination
  • Ages 10 and up
  • Playing time: 30 minutes
Written with the sports fan in mind, Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about such topics as relationships; finances; physical, emotional, and spiritual health; finding the right vocation; living a life of purpose; and overcoming sin and addiction. Written by 3-time Super Bowl and NASCAR championship winning coach/owner Joe Gibbs, edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, the New York Times b! est-selling Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, using examples from Coach Gibbs’ own storied championship careers as a backdrop. This book is a perfect blend of sports and basic theology, designed to bring God’s Word home to sports fans of all generations.

Three-time Super Bowl and NASCAR champion Joe Gibbs’s Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about the 11 most-important topics for men. Topics such as: finances, relationships, living a life of purpose, finding the right vocation, physical, emotional, and spiritual health, and overcoming sin and addictions. Edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, u! sing examples of Coach Gibbs’s own storied championship care! ers as a backdrop. A perfect blend of sports and basic theology, Game Plan for Life is designed to bring God’s word home to sports fans of all generations.

Three-time Super Bowl and NASCAR champion Joe Gibbs’s Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about the 11 most-important topics for men. Topics such as: finances, relationships, living a life of purpose, finding the right vocation, physical, emotional, and spiritual health, and overcoming sin and addictions. Edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, using examples of Coach Gibbs’s own storied championship careers as a backdrop. A perfect blend of sports and basic theology, Game Plan for Life is designed! to bring God’s word home to sports fans of all generations.

What's the best plan for climbing Mt. Everest? How about the worst plan for making a million bucks? Find out in this party game that's all about giving outrageous advice! Select a card containing a piece of advice that best fits the judge's chosen activity. Score points if the judge takes your advice, but keep in mind that plans change with the roll of a die... You might have to give out bad advice, your grandma's advice, or even advice from a psychic! Take our advice and play today!For 4 - 8 players, ages 10 and up.Play Time: 30 minutesContents: 300 advice cards, 100 to do lists, 8 wooden pawns, 1 custom die, 1 game board and instructions.

Appaloosa

  • In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this charac
In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this character-driven, bullet-hard Western based on Robert B. Parkers novel. Blood will spill in the town called Ap! paloosa.The Western has been an endangered species, on and off, for something like 40 years now. Welcome to Appaloosa, Ed Harris's film of the Robert B. Parker novel--first because it exists at all, but even more because Harris as star, director, and co-screenwriter (with Robert Knott) has managed to bring it to the screen with no hint of fuss or strain, as if the making of no-nonsense, copiously pleasurable Westerns were still something Hollywood did with regularity. Harris plays Virgil Cole, one of those ace gunfighter-lawmen whose name need only be mentioned to make a saloon go still. Cole and his shotgun-toting partner Everett Hitch (Viggo Mortensen) accept a commission to enforce law and order in the New Mexico town of Appaloosa. That basically means protect it from rapacious rancher Randall Bragg (Jeremy Irons, looking right at home on the range), who murdered the previous town marshal like swatting a fly. Life becomes complicated when, about the time Bragg h! as been jailed to await trial, a fancy-dressing piano player c! alling h erself Mrs. French (Renée Zellweger) steps down off the train. Cole commences to have feelings, and as he ruefully reminds Hitch, "Feelin's can get ya killed."

In his second directorial effort (following the 2000 biopic Pollock), Harris takes his cue from novelist Parker's often deadpan-comic touch, allowing action and character to accumulate in accordance with an overall eccentric rhythm. (The film's main disappointment is that it would benefit from more running time to allow things to stew a bit longer, especially in the second half.) The character work is choice, from the moment Tom Bower, James Gammon, and Timothy Spall step into view as Appaloosa's civic leaders; the director's father Bob Harris contributes a cameo as a mellifluous-tongued circuit judge, and an age-thickened Lance Henriksen turns up midfilm as gunman Ring Shelton, trailing affability and menace. In collaboration with Dances With Wolves cameraman Dean Semler, Harris sets up shots an! d scenes in such a way that we often see into and out of Appaloosa's various buildings simultaneously, to excellent dramatic and atmospheric effect, and there's a thrillingly vertical dynamics to a scene involving a train at an isolated water stop. The action is lethal when it needs to be, but never dwelt upon. "That was over quick," Hitch observes after one gun battle. Cole's response says it all: "Everybody could shoot." --Richard T. Jameson


The Voyage of La Amistad: A Quest for Freedom

  • On the morning of June 28, 1839, the schooner La Amistad set sail from Havana, Cuba, with a cargo that included 53 Africans who had been abducted from Sierra Leone and sold into slavery in violation of international law. Unaware of their fate and fearing they would be killed, the Africans revolted, sparing only two crew members to guide the ship eastward to their home. After a two-month voyage on
An epic journey of one mans fight for his life and his freedom. This story of courage and determination is presented by a director whose vision goes to the heart of the story and the soul of its characters. Once again steven spielberg has created a film event that will never be forgotten. Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Morgan Freeman Djimon Hounsou Run time: 155 minutes Rating: R Director: Steven SpielbergSteven Spielberg's most simplistic, sanitized history les! son, Amistad, explores the symbolic 1840s trials of 53 West Africans following their bloody rebellion aboard a slave ship. For most of Schindler's List (and, later, Saving Private Ryan) Spielberg restrains himself from the sweeping narrative and technical flourishes that make him one of our most entertaining and manipulative directors. Here, he doesn't even bother trying, succumbing to his driving need to entertain with beautiful images and contrived emotion. He cheapens his grandiose motives and simplifies slavery, treating it as cut- and-dry genre piece. Characters are easy Hollywood stereotypes--"villains" like the Spanish sailors or zealous abolitionists are drawn one-dimensionally and sneered upon. And Spielberg can't suppress his gifted eye, undercutting normally ugly sequences, such as the terrifying slave passage, which is shot as a gorgeous, well-lit composition. At its core, Amistad is a traditional courtroom drama, centered by ! a tired, clichéd narrative: a struggling, idealistic young l! awyer (M atthew McConaughey) fighting the crooked political system and saving helpless victims. Worse yet, Spielberg actually takes the underlying premise of his childhood fantasy, E.T. and repackages it for slavery. Cinque (Djimon Hounsou), the leader of the West African rebellion, is presented much like the adorable alien: lost, lacking a common language, and trying to find his way home. McConaughey is a grown-up Elliot who tries communicating complicated ideas such as geography by drawing pictures in the sand or language by having Cinque mimic his facial expressions. Such stuff was effective for a sci-fi fantasy about the communication barriers between a boy and a lost alien; here, it seems like a naive view of real, complex history. --Dave McCoyOn the morning of June 28, 1839, the schooner La Amistad set sail from Havana, Cuba, with a cargo that included 53 Africans who had been abducted from Sierra Leone and sold into slavery in violation of international l! aw. Unaware of their fate and fearing they would be killed, the Africans revolted, sparing only two crew members to guide the ship eastward to their home. After a two-month voyage on a zigzag course, La Amistad was finally captured at Long Island, New York, where the Africans were jailed and charged with piracy and murder.

Celtic Woman: Songs From The Heart

  • DVD
  • Celtic Woman
  • Format DVD
GRACE OF MY HEART - DVD MovieThe traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Building era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson. It's a bit too schematic in the way the central character is always in the right place at the right time, but as a tale of fame and romantic highs and lows in the '50s and '60s the movie is funny, touching, and sincere. It's a lively and loving tribute to timeless! music and the colorful characters who created it. --Jeff Shannon A terrific sampler of greatest hits from the heyday of girl groups and the Brill Building--except that none of the songs are actually from that era. What we have here is an incredible simulation--from Allison Anders' unjustly overlooked 1996 movie about the tempestuous life and career of a Carole King- like singer-songwriter (the magnificent Illeana Douglas) who spends years writing for others before finding her own voice. But instead of just licensing the old Shirelles' recordings of Goffin-King hits, the filmmakers came up with the brilliant idea of doing original songs by combining the sensibilities of contemporary artists and their songwriting forebears. So, for example, Elvis Costello and Burt Bacharach teamed up to write and perform the power- ballad "God Give Me Strength" (although I wish they'd also included Douglas's even more moving version from the picture); Leslie Gore te! ams with Larry Klein and David Baerwald for "My Secret Love" ! (perform ed by Miss Lily Banquette of Combustible Edison); Gerry and Louise Goffin team with Baerwald for "Between Two Worlds" (performed by Sean Colvin); J. Mascis of Dinosaur Jr. writes and sings some Brian Wilson/Beach Boys-type stuff ("Take a Run at the Sun," "Don't You Think It's Time"), and so on. Buy the record; see the movie. You won't be disappointed. --Jim EmersonThe traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Building era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson. It's a bit too schematic in the way the! central character is always in the right place at the right time, but as a tale of fame and romantic highs and lows in the '50s and '60s the movie is funny, touching, and sincere. It's a lively and loving tribute to timeless music and the colorful characters who created it. --Jeff Shannon Tracks: God Give Me the Strength-Burt Bacharach & Elvis Costello, Love Doesn't Ever Fail Us-Williams Brothers, Take a Run at the Sun-J Mascis, I Do-For Real, Between Two Worlds-Shawn Colvin, My Secret Love-Lily Banquette, Man From Mars-Kristen Vigard, Born to Love that Boy-For Real, Truth is You Lied-Jill Sobule, Unwanted Number-For Real, Groovin on You-Juneo, In Another World-Portrait, Don't You Think It's Time-J Mascis, Absence Makes the Heart-Tiffany Anders & Boyd Rice, A Boat on the Sea-Kristen VigardTrack Listing:
1. The Call
2. Fields of Gold
3. When You Believe
4. The Coast of Galiçia
5. The New Ground - Isle of Hope, Isle of Tears
6. Non ! C’è Piú
7. True Colours
9. Galway Bay
10! . Goodni ght My Angel
11. O, America!
12. Níl Sé’n Lá
13. The Last Rose Fantasia
14. The Moon’s a Harsh Mistress
15. My Lagan Love
16. Amazing Grace
17. Pie Jesu
18. Slumber My Darling / The Mason’s Apron
19. Danny Boy
20. You Raise Me Up
21. Finale / Mo Ghile Mear

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