Monday, April 16, 2012

Hey Hey It's Esther Blueburger

Monday, March 26, 2012

Flicka 2

  • NTSC
  • Subtitled in Spanish
  • Widescreen 1.78:1
  • Dolby Digital
  • Region 1
Sixteen year old Katie McLaughlin (Alison Lohman) is a headstrong and determined teenager trying to find her way in life. Katie forms a bond with a wild horse she names Flicka. Despite pleas from her father (Tim McGraw) not to ride Flicka, Katy sets out t

Can a wild horse with a bad attitude and a not-quite-wild but pretty darn sullen teenage girl with a bad attitude be the best things that ever happened to each other? Though we guess the answer pretty early on in Flicka, it doesn't diminish the feel-good family film one bit. The film is a remake of the 1947 My Friend Flicka itself based on the bestselling (and still riveting) novel by Mary O'Hara, and starring a young Roddy McDowall as the aimless teen hero. This 2006 update changes the hero to a heroine, Katy (Alison Lohman), t! hough the dynamic is similar, and in some ways makes the appeal of the film broader. After all, young girls love their horses, and Katy's moxie and determination, as she opens her heart to the wild filly, a touchingly and humanly conveyed. As Katy struggles with her relationship with her gruff dad (given an excellent performance by country star Tim McGraw), she finds she can gain confidence and be the person her father wants her to be--solely by being herself as she connects with Flicka the horse. The cinematography is stunning, and showcases a part of America that once was seen and celebrated often in films, and lately so rare as to be precious. --A.T. Hurley

Beyond Flicka


Flicka Family! Classics Collection

My Friend Flicka (Paperback)

Flicka Soundtrack

Stills from Flicka






!


Flicka

Set amidst spectacular mountain vistas, this inspiring, coming-of-age story features an all-star cast, including country music star Tim McGraw, Maria Bello and Alison Lohman. All headstrong, 16-year-old Katy McLaughlin (Lohman) longs for is to work on her family's mountainside horse ranch - yet her father (McGraw) insists she finish boarding school. So when Katy finds a mustang in the hills, she sets out to tame the horse and prove she can one day take over the struggling ranch. But when tragedy strikes, it will take all the love and strength the family can muster to restore hope, in this sweeping, heartwarming epic the whole family will love.

Flicka 2

The uplifting film, directed by Michael Damian (Moondance Alexander), a continuation of the popular 2006 Flicka that starred Tim McGraw, features Patrick Warburton (Family Guy, Seinfeld), newcomer Tammin Sursok (The Young And The Restless) and country legend Clint Black in a thrilling story of the special bond between one girl and the mustang no one could tame. Carrie (Sursok) is a big-city teenager whose life is turned upside down when she moves to a horse ranch in Wyoming to live with her father (Warburton). But everything changes when Carrie meets Flicka, a wild, jet-black mustang who's just as free-spirited and strong-willed as Carrie. The two form a special bond and Carrie opens her heart to her father and a handsome, local boy, but when a jealous rival puts Flicka's life in jeopardy, Carrie must do whatever it takes to save her best friend. The Flicka 2 DVD includes behind-the-scenes featurettes; a documentary on the North A! merican Mustang; an in-depth interview with Clint Black; bloopers and more.Disc 1: MY FRI FLICKA Disc 2: THUNDERHEAD: SON OF FLICKA Disc 3: GREEN GRASS OF WYOMING

My Friend Flicka: This gorgeous 1943 family film stars Roddy McDowell as a Colorado rancher's son who takes a shine to a colt named Flicka and chooses to train her. The boy's father (Preston Foster) isn't happy about the idea: the horse is an offspring of a stormy mare who may not be right in the head. For a while, Flicka seems determined to prove the rancher's point, fiercely resisting young McDowell's efforts at domestication. But persistence and love win the day, and Flicka grows up to be a magnificent animal and friend. The film was shot by director Harold Schuster and cinematographer Dewey Wrigley as if for the ages, marrying such perfect elements as a Technicolor sweep of the beautiful Rocky Mountains setting with a wonderful story, plus McDowell's charismatic earnestness. Based on the Mary! O'Hara novel, this film was popular enough in its time to ins! pire a c ouple of sequels, though the original best stands up as a perennially worthy adventure tale for kids ages 5 and up. --Tom Keogh

Thunderhead, Son of Flicka: A sequel to the wildly popular, heart-warming children’s classic My Friend Flicka, Thunderhead stars the original winsome young Roddy McDowall as the horse-lover against all odds. The sequel is every bit as touching, involving, and misty-eye-inducing as the original film. Thunderhead, a headstrong albino colt, is the son of the mare Flicka, and McDowall’s Ken McLaughlin sets out to find out what this wild thing can do. Thunderhead, when given his head, can fly as though winged, so Ken decides to enter Thunderhead in some horse races. But it becomes clear that Thunderhead can fly only if he’s free. A tragedy threatens the sweet world that Thunderhead and Ken have created, and only that magical love between child and animal can overcome the stumbling blocks. Thunderhead,! Son of Flicka is a worthy successor to the original film, and a touching family film for horse lovers of all ages. --A.T. Hurley

Green Grass of Wyoming: The final installment in Mary O’Hara’s landmark horse saga that includes MY Friend Flicka, The Green Grass of Wyoming is a worthy valentine to the love of horses and the wild America they represented in the mid-20th century. Robert Arthur replaces Roddy McDowall as Ken McLaughlin, the boy horse whisperer who connects on a subliminal level with four-legged critters. The equine star is Crown Jewel, a harness-racing trotter for whom Ken has hopes of championships and financial windfalls. But Jewel has something else on her mind--love, for the stallion Thunderhead (star of O’Hara’s second installment, Thunderhead, Son of Flicka. Arthur is a talented, charming successor to McDowall, and the breathtaking scenery and cinematography will charm even those film fans who a! ren’t big horse lovers. (Charles G. Clark was nominated for ! an Oscar for best cinematography.) Burl Ives makes the most of his sidekick role as Gus, and Lloyd Nolan is sympathetic as Ken’s financially struggling dad. Extras include a detailed featurette on the life of Mary O’Hara. --A.T. Hurley

Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.

Tuesday, March 13, 2012

Pullman Holt B200752 Gloss Boss Mini Floor Scrubber

Wednesday, February 29, 2012

Thrilla in Manila

  • Officially Licensed
  • Highest Quality Recording
Synopsis:
Item Type: DVD Movie
Item Rating: R
Street Date: 12/29/09
Wide Screen: no
Director Cut: no
Special Edition: no
LanguageENGLISH
Foreign Film: no
Subtitlesno
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: Sleeve Please note: This supplier will be closed on 11/24, 11/25, 12/26, 1/2 for the holidays. The shipping cut off is 12/10 to try and have the products delivered by Christmas.""The Whole Story" profiles his thunderous life and career in and outside the ring."WHEN WE WERE KINGS - DVD Movie"Brunt does an excellent job of bringing his subjects out of the shadow of the Greatest, recounting their often poignant tales of life before and after their dates with the champ. In the end, of course,
we learn mor! e about Ali. What stands out is their almost unanimous expression of affection for Ali. A worthy addition to any boxing
collection." -Library Journal
Muhammad Ali cast a blinding light on his sport, on the tumultuous times in which he reigned as champion, and on all the people who surrounded him. That included the fighters brave enough to stand alone in the ring with the greatest heavyweight champion of all time.
Ali's own story has been told often, but the tales of those who faced him have been mostly overlooked. For each, the moments alone in the ring with Ali changed their lives. Facing Ali tells the stories, in the fighters' own words, of fifteen men from around the world-from famous names like Joe Frazier, George Foreman, and Henry Cooper, to lesser lights like Tunney Hunsaker, Jergen Blin, and George Chuvalo. Facing Ali offers a unique perspective on what it was like to fight Ali, and gives new insi! ghts into the character of a boxer who is arguably the most re! cognized man on the planet.




tre volte campione del mondo dei pesi massimi, muhammad ali e' diventato il simbolo sportivo per antonomasia di intere generazioni di fan e icona del movimento per i diritti civili. dieci dei suoi celebri avversari donano testimonianza delle vicende legate al loro incontro con il campione.TYSON - DVD MovieIn his younger days, the former heavyweight champ liked to say, "No one really knows Mike Tyson." Director James Toback, who befriended him while making 1999’s Black and White, allows Tyson to speak for himself as he illustrates his words through archival footage and fight clips, culminating in a subjective portrait that begins in empathy before ending somewhere more enigmatic. Neglected as a child, the Brooklyn-born youth took solace in his pigeons--much like Marlon Brando's boxer in On the Waterfront--before turning to stealing and brawling in his teens until legendary trainer Cus D'Amato spotted his talent and helpe! d him to develop the discipline and self-confidence he lacked. Tyson fought many of his most famous bouts after D'Amatos death, but never quite recovered from the loss. Toback tracks the fighter’s rise in the 1980s, followed by his fall in the '90s and ‘00s: the turbulent marriage to actress Robin Givens, the infamous ear-biting incident, and the notorious rape conviction (about which he maintains his innocence). The filmmaker captures his now-retired subject in a reflective mood, and Tyson comes across as considerably more humble and eloquent than his reputation suggests--he describes boxing impresario Don King as "wretched, reptilian, and slimy" and has a special fondness for the word "skullduggery"--but continues to battle loneliness and feelings of abandonment, even fighting back a few tears at times. Tyson may disappoint those looking for the trash-talking pugilist of old, but Toback proves there's more to Iron Mike than meets the eye. --Kathleen C. Fenne! ssy




Stills ! from Tyson (Click for larger image)








THRILLA IN MANILA - DVD Movie

Tuesday, February 14, 2012

Crimson Rivers 2: Angels of the Apocalypse Poster Movie Spanish 11x17 Jean Reno Beno?t Magimel

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Crimson Rivers 2: Angels of the Apocalypse 11 x 17 Inches Spanish Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Jean Reno is back in action as Commissioner Niemans. The body he found in a monastery seems to point to a ritualistic sacrifice and a portent of something strange to come. At the same time, young police captain Reda finds a man in agony who's an exact DNA match for Christ. Reda quickly finds out his case is directly linked to Niemans, but is the Apocalypse really about to begin as all signs seem to indicate?French sensation The Crimson Rivers was a serial killer thriller with a difference--it was genuine! ly thrilling. It was also pretty disturbing, but Jean Reno (The Professional) brought some light to the darkness with his sly performance as dog-phobic detective Niémans. Fortunately, Reno has returned in this highly stylized Luc Besson-penned sequel. Vincent Cassell has not, but Benoît Magimel (The Piano Teacher), as new partner Reda, makes for a decent replacement. Alas, Olivier Dahan isn't in the same league as Matthieu Kassovitz and the story line, which has something to do with the Last Supper, the Maginot Line, and gravity-defying killer monks, is even more convoluted than before. Then there's Johnny Hallyday (The Man on the Train) as a mysterious one-eyed man and Christopher Lee (The Lord of the Rings) as a bad German dude. It's all a little ridiculous, but entertaining nonetheless, and the chase sequences are a treat. --Kathleen C. FennessyCrimson Rivers 2: Angels of the Apocalypse reproduction Approx. Size: 11 x 17 Inches - 28cm! x 44cm Spanish Style A mini poster print

Pop Culture ! Graphics , Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Thursday, January 19, 2012

Brother Black High Yield Toner Cartridge (TN450)

The Phantom of the Opera (Widescreen Edition)

  • TESTED
In celebration of the 25th Anniversary of Andrew Lloyd Webber’s The Phantom of the Opera, Cameron Mackintosh produced a unique, spectacular staging of the musical on a scale which had never been seen before. Inspired by the original staging by Hal Prince and Gillian Lynne, this lavish, fully-staged production set in the sumptuous Victorian splendour of London’s legendary Royal Albert Hall features a cast and orchestra of over 200, plus some very special guest appearances.The Phantom of the Opera, SoundtrackFor better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack re! cording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and The London Boys Choir. This single disc version showcases all of Phantom's key songs (a deluxe, double-disc edition is also available), with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emmy Rossum's ever-conflicted Christine. Original show orchestrator David Cullen has fashioned compelling new contemporary arrangements to frame Webber's songs -- which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver. --Jerry McCulleyThe Royal Albert Hall in London comes alive to the passionate melodies and songs from the shows of Andrew Lloyd Webber. Enjoy the magic of this night of a thousand stars. Directed by: David MalletIn 1998 a concert at the Royal Albert Hall celebrated Sir Andrew Lloyd Webber's 50th birthday and featured ! more than two hours of hits from a body of work spanning almos! t three decades. In this keepsake of a memorable night, star after star steps on to a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and an even bigger voice delivers "Don't Cry for Me, Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the last vestiges of boyish charm to the very limits but still sound great; and Boyzone gets the youth vote. Then there are Kiri Te Kanawa, Bonnie Tyler, Tina Arena, and, of course, another encore for brother Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderas (who really can sing), and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many pe! ople a great deal of pleasure, and a treat for musicals fans of all ages. --Piers FordDVDAlthough it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd We! bber's larger-than-life vision of Gaston LeRoux's Gothic horro! r-romanc e. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.

Read our CD buying guide
Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties.

DVD Features
The special edition of The Phantom of the Opera has two major extras. "B! ehind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews of composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher Both are well-done productions by Lloyd Webber's Really Useful Group.

The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful so! ng that, along with Madame Giry's story, makes him a more symp! athetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

More on The Phantom of the Opera


The Phantom of the Opera (Special Extended Edition Soundtrack) (CD)

The Phantom of the Opera (2004 Movie Soundtrack) (CD)

The Phantom of the Opera (Original 1986 London Cast) (CD)

Evita (DVD)

Andrew Lloyd Weber: The Royal Albert Hall Celebration (DVD)

More Broadway DVDs

Wednesday, January 18, 2012

Ed Gein: The Butcher of Plainfield

  • Actors: Kane Hodder, Adrienne Frantz, Michael Berryman, Priscilla Barnes, Shawn Hoffman.
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1 EX). Subtitles: Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated R. Run Time: 90 minutes.
The truth behind the twisted crimes that inspired the films Psycho, The Texas Chain Saw Massacre, and The Silence of the Lambs...

From "America's principal chronicler of its greatest psychopathic killers" (The Boston Book Review) comes the definitive account of Ed Gein, a mild-mannered Wisconsin farmhand who stunned an unsuspecting nation -- and redefined the meaning of the word "psycho." The year was 1957. The place was an ordinary farmhouse in America's heartland, filled with extraordinary evidence o! f unthinkable depravity. The man behind the massacre was a slight, unassuming Midwesterner with a strange smile -- and even stranger attachment to his domineering mother. After her death and a failed attempt to dig up his mother's body from the local cemetery, Gein turned to other grave robberies and, ultimately, multiple murders. Driven to commit gruesome and bizarre acts beyond all imagining, Ed Gein remains one of the most deranged minds in the annals of American homicide. This is his story -- recounted in fascinating and chilling detail by Harold Schechter, one of the most acclaimed true-crime storytellers of our time.Harold Schechter is a historian: he takes old files and yellowed newspaper clippings, and brings their stories to life. Deviant is about everyone's favorite ghoul, Ed Gein--whose crimes inspired the writers of Psycho, Texas Chainsaw Massacre, and The Silence of the Lambs. Schechter deftly evokes the small-town 1950s Wiscons! in setting--not pretty farms and cheese factories, but infert! ile soil and a bleak, hardscrabble existence. The details of Gein's "death house" are perhaps well known by now, but the murderer's quietly crazy, almost gentle personality comes forth in this book as never before. As Gary Kadet wrote, in The Boston Book Review, "Schechter is a dogged researcher [who backs up] every bizarre detail and curious twist in this and his other books ... More importantly, he nimbly avoids miring his writing and our reading with minutiae or researched overstatement, which means that although he can occasionally be dry, he is never boring."
Also recommended: Schechter's books about Albert Fish (Deranged) and Herman Mudgett a.k.a. Dr. H. H. Holmes (Depraved).The story of the killer Ed Gein is one of the weirdest, most disturbing ever, one that has inspired horror stories as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from! local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.The story of the killer Ed Gein is one of the weirdest, most disturbing ever, one that has inspired horror stories as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.This is the true story of America’s first famous serial killer. Everyone in small Plainfield, Wisconsin thought Ed was just a little different, a local oddity. But Ed was tormented and haunted by years of family abuse and repression which led him to the bruta! l murders and mutilations of countless victims and corpses. In! a remot e farmhouse filled with the stench of death, Ed is driven to do unspeakable acts to his victims, acts that have become legend and the basis for future films like "Psycho" and the "Texas Chainsaw Massacre." This film will shock you with its unflinching horror and unforgettable performances from Steve Railsback and Carrie Snodgrass. No one will ever forget the true story of "Ed Gein."

America may have had its fill of psychos for the last forty years, but none of them has inspired so many books and films (Pyscho, The Silence of the Lambs, The Texas Chainsaw Massacre) as Wisconsin's cannibalistic handyman, Ed Gein. None of them has been used as the ultimate ogre in countless children's stories and off-color jokes, and none of them has been found guilty of as many unspeakable atrocities as Ed Gein.

This is his story. This is his legend.
Every neighbourhood has one ... a notorious "murder house" which was once the scene of a brutal and bloody crime. If the wall! s of number 25 Cromwell Street had ears, what horrifying acts would they have overheard during the occupancy of serial killers Fred and Rose West? Brutal torture sessions and grisly murders were a regular occurrence. Even after the evidence has been removed and the perpetrators imprisoned or executed, an aura of horror, fear and disgust can linger on for decades. Houses of Death provides an incredible insight into ordinary homes and institutional buildings that have played host to extraordinary events. It explores the infamous buildings, the murderers and victims who called them ‘home’, as well as the bizarre and bloody events that took place behind their closed doors.

Contents including:
Countess Erzsebet Bathory,Castle Csejthe; Eastern State Penitentiary; The Bender family log cabin; Sing Sing;
Lizzie Borden, 92 Second Street, Fall River; H H Holmes, The Murder Castle, Chicago; Newgate Prison; Lemp Mansion, St Louis; Bangkwang Prison, Thailand; Co! llingwood Manor Massacre; Washington State Penitentiary; John ! Christie , 10 Rillington Place; Ed Gein, Gein’s Farm, Plainfield, Wisconsin; Holloway Prison; Alcatraz; The Manson Family, 10050 Cielo Drive, Los Angeles; Jonestown; Fred and Rose West, 25 Cromwell Street; Jeffrey Dahmer, 213 Oxford Apartments;
Gary Heidnik, 3520 North Marshall Street; Ian Huntley, 5 College Close, Soham.Every neighbourhood has one ... a notorious "murder house" which was once the scene of a brutal and bloody crime. If the walls of number 25 Cromwell Street had ears, what horrifying acts would they have overheard during the occupancy of serial killers Fred and Rose West? Brutal torture sessions and grisly murders were a regular occurrence. Even after the evidence has been removed and the perpetrators imprisoned or executed, an aura of horror, fear and disgust can linger on for decades. Houses of Death provides an incredible insight into ordinary homes and institutional buildings that have played host to extraordinary events. It explores the infamous buildings,! the murderers and victims who called them ‘home’, as well as the bizarre and bloody events that took place behind their closed doors.

Contents including:
Countess Erzsebet Bathory,Castle Csejthe; Eastern State Penitentiary; The Bender family log cabin; Sing Sing;
Lizzie Borden, 92 Second Street, Fall River; H H Holmes, The Murder Castle, Chicago; Newgate Prison; Lemp Mansion, St Louis; Bangkwang Prison, Thailand; Collingwood Manor Massacre; Washington State Penitentiary; John Christie, 10 Rillington Place; Ed Gein, Gein’s Farm, Plainfield, Wisconsin; Holloway Prison; Alcatraz; The Manson Family, 10050 Cielo Drive, Los Angeles; Jonestown; Fred and Rose West, 25 Cromwell Street; Jeffrey Dahmer, 213 Oxford Apartments;
Gary Heidnik, 3520 North Marshall Street; Ian Huntley, 5 College Close, Soham.Fascinating but disturbing movie, a look at a horrifying killer.It was 2005 when Ed Gein released their last album, Judas Goats and Dieseleaters. Birthed in Syrac! use, NY in early 2001 and propelled into the hardcore spotligh! t by cri tical acclaim, a raucous live show and an appearance on the Hellfest 2003 DVD, the ball started rolling and the bad hit the ground running hard. From 2005-2007, the band were road warriors, terrorizing the music scene with their spazzy, metallic-grind, laced with punk sensibility and political and socially driven lyrical content. Their CD and vinyl sales were going strong. Their profile with the press was growing. The tour offers were rolling in and management/booking agents were taking note. Then everything just stopped. On the outside, everything seemed to be getting better. But behind the scenes, the band was stalked by bad luck. Their new record is appropriately titled Bad Luck as it summed up their life as a band. Robbed, beat up, lost broken down, crashed, robbed again, broken down againand againNo Ed Gein did not break up. Just took a little break.The gruesome murders shocked the world, the grisly remains told a terrifying story of pain, brutality and torture. Now, ye! ars after inspiring PSYCHO's Norman Bates, SILENCE OF THE LAMBS's Buffalo Bill and THE TEXAS CHAINSAW MASSACRE's Leatherface, the story of real-life, serial killer Ed Gein is finally told. Nicknamed "The Butcher of Plainfield," Gein was responsible for a rash of gory murders that sent shock waves through his rural Wisconsin town, and across America, in the late 1950s. Prepare to enter the evil mind and twisted world of "The Butcher of Plainfield" in this dark and disturbing thriller.